Took off work Thrusday night and already had off Fri-Sun, so I had 3 whole days to finally put my JCM800 through a little more than when I first got it back in June of last year.
I also got to really tweak the MetalZone and get a sound I like.
Aaaand I spent time with the M13, and I gotta say, unless you want the specific non-distortion effects it offers, and you want to run them simultaneously, go with the M5 or M9 instead. Personally I have no need of a '63 Spring Reverb or Tape-based echo effect. It's nice to have the chorus pedal that was used on the intro to Welcome Home (Sanitarium) but that was never really an issue for me.
However, the possibility of loading it up with just dirt pedals exists, and there's enough variety there to do it.
I find myself drawn more to the Fuzz pedals for vintage Sabbath.
But anyway, I had the Marshall (through my Carvin "British"-loaded 2x12) EQ set for 5s all across, and worked with the pedals from there, but eventually I had to cut the Presence down to 0, and drop the Mid and Treble to about 3. I don't know if it's the open-back cab or the speakers themselves, but the midrange was just overly obnoxious. It reminded me of being in a local redneck bar with all vintage Peavey gear and that Hank Sr midrange spike. Fucking nauseating.
But with the right EQ settings and the MetalZone, I was getting a nice beefy sound without the hearing loss.
I tried to record some things, but everything had an ungodly amount of signal noise, so it took about 3 hours to track that down. I still don't know what it was, but rebooting my PC and interface made it go away.
Once I got that fixed, I was able to record. What's coming out of my monitors sounds a lot like what's coming out of my cab
Unfortunately, I hadn't even touched a guitar in the last 4 months, so I was pretty rusty and the recordings are even worse than the stuff I have posted
By the time I got my chops built back up, it was Sunday, and the music-haters had returned
But, at least I have it all set up, so the next time I get even a day to myself, I can just turn it on and turn it up.
I also got to really tweak the MetalZone and get a sound I like.
Aaaand I spent time with the M13, and I gotta say, unless you want the specific non-distortion effects it offers, and you want to run them simultaneously, go with the M5 or M9 instead. Personally I have no need of a '63 Spring Reverb or Tape-based echo effect. It's nice to have the chorus pedal that was used on the intro to Welcome Home (Sanitarium) but that was never really an issue for me.
However, the possibility of loading it up with just dirt pedals exists, and there's enough variety there to do it.
I find myself drawn more to the Fuzz pedals for vintage Sabbath.
But anyway, I had the Marshall (through my Carvin "British"-loaded 2x12) EQ set for 5s all across, and worked with the pedals from there, but eventually I had to cut the Presence down to 0, and drop the Mid and Treble to about 3. I don't know if it's the open-back cab or the speakers themselves, but the midrange was just overly obnoxious. It reminded me of being in a local redneck bar with all vintage Peavey gear and that Hank Sr midrange spike. Fucking nauseating.
But with the right EQ settings and the MetalZone, I was getting a nice beefy sound without the hearing loss.
I tried to record some things, but everything had an ungodly amount of signal noise, so it took about 3 hours to track that down. I still don't know what it was, but rebooting my PC and interface made it go away.
Once I got that fixed, I was able to record. What's coming out of my monitors sounds a lot like what's coming out of my cab
Unfortunately, I hadn't even touched a guitar in the last 4 months, so I was pretty rusty and the recordings are even worse than the stuff I have posted
By the time I got my chops built back up, it was Sunday, and the music-haters had returned
But, at least I have it all set up, so the next time I get even a day to myself, I can just turn it on and turn it up.
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