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Re: Serious Line 6 discussion..
I used to know Pagannini's caprice # 16. Or at least quite a bit of it. I never learned too much violin music on guitar, but after I listened to the presto on distorted guitar, I may learn more. I mostly used to shred. Most of the classical I played was on a nylon string. I like Brower, Villa Lobos, Andrew York, and of course all of the Bach lute suites.
It's funny. Last year my friend got married and I was asked to play the wedding. The sit down music, the here comes the bride, the whole everything. I started using that piece to work my reading back up (I haven't read anything more difficult than what I do teaching guitar. Not since college) At first, it was a good excerise, but I thouhgt it sounded so sick on guitar, I had to learn more.
I've always been into learning difficult stuff. I have a habbit of learning Dream Theater until it's just like the album, and then I never play it again. My friends yell at me.
I used to know Pagannini's caprice # 16. Or at least quite a bit of it. I never learned too much violin music on guitar, but after I listened to the presto on distorted guitar, I may learn more. I mostly used to shred. Most of the classical I played was on a nylon string. I like Brower, Villa Lobos, Andrew York, and of course all of the Bach lute suites.
It's funny. Last year my friend got married and I was asked to play the wedding. The sit down music, the here comes the bride, the whole everything. I started using that piece to work my reading back up (I haven't read anything more difficult than what I do teaching guitar. Not since college) At first, it was a good excerise, but I thouhgt it sounded so sick on guitar, I had to learn more.
I've always been into learning difficult stuff. I have a habbit of learning Dream Theater until it's just like the album, and then I never play it again. My friends yell at me.
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