For my nighttime playing, i use a guitar port. I reckon'd, i am near a laptop all the time. Why not combine both guitar and laptop into the guitarport? its very responsive and has all the effects you want. Its tone library can be expanded if someone like it a lot. Using Audacity which is free, you can record with the guitarport too.
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good practice amp
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If you need something small and portable, Roland Microcube. Limited but usable effects and modeling built-in, sounds great for it's size and can run on AA batteries if needed. Headphone jack/line out and CD in.Last edited by cbope; 03-14-2007, 03:14 PM.My gear -> 2004 Jackson DK2 EDS, JT580LP trem, SD Custom Shop Crazy 8 trembucker (bridge), SSL-2 Vintage rw/rp (middle) and SSL-6 Custom (neck) single coils, CTS pots, 5-way super switch with custom wiring, GHS Boomers TNT 10-52, ENGL Powerball E645 V2 head, ENGL Custom Footswitch Z-5, Framus FR 212 CS cab
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Digital stuff is handy for home recording or for sobgwriting, but not for practicing. At least for someone who had such a big break. All these modelling units are too forgving in terms of tone. The best thing for practising is a tube amp set at mid gain. This makes you really work out your tone.
And tone is everything.Because I don't say it
Doesn't mean I ain't thinking it
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And the tone you get out of the modeling amps is the best you're going to get at a "practice amp" price point.Dreaded Silence - Boston Melancholic Metal
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Originally posted by mhalsey View PostI have a Spider II..... excellent amp. I bought my son a Vox Valvetronix AD30VT to use during our recent move........ excellent amp as well. For variety of tones, I'd go with the Spider. For better tone, the Vox. It blew me away when I first plugged into it.
Wassup Mark!"Bill, Smoke a Bowl and Crank Van Halen I, Life is better when I do that"
Donnie Swanstrom 01/25/06..miss ya!
"Well, your friend would have Bell's Palsy, which is a facial paralysis, not "Balls Pelsy" like we're joking about here." Toejam's attempt at sensitivity.
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Cube 30 is great bang for the buck. Actually though.. I did find a modeling combo that I declare as the best cheap 1 x 12 modeling combo I have ever owned, heard or played. This combo is suitable for recording, home practicing, jamming with friends and gigging. The factory presets are outstanding and if you don't like to tweak to find good patches.. you won't have to.
The Behringer V-Ampire LX112
Its a 60w-120w combo. How?? Easy.
When you use the internal speaker the amp has 1 60w power section running. When you plug in an extension cab for stereo an additional 60w power amp kicks on so you have 60w per side true stereo operation.
Whats cooler than that?
Oh yea.. it also comes with a nice quality Jensen 12" speaker and it doesn't fart out at all.
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Originally posted by Sinistas View PostAnd the tone you get out of the modeling amps is the best you're going to get at a "practice amp" price point.
So, to me it's like the difference between studio montiors and hi-fi speakers. You either want to hear all the mixing/performance fuck-ups or enjoy the music.
So there'are small practicing amps and there're small bedroom amps, a bit of difference.
For me a cool practice amp is Ibanez ValBeeBecause I don't say it
Doesn't mean I ain't thinking it
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HAHAHAHA - this isn't gonna help, but i use a rivera M100 combo for my practice amp.
if i was just starting out (again) i'd say i would be REALLY tempted by the line 6 stuff. it depends on what you wanna accomplish...
if you just wanna jam and have fun go with a modeling amp.
if you wanna actually get good technique and become a STRONG player, get a small tube amp like:
an old fender princeton, champ, blues junior, OR a peavey classic 20.
if it doesn't have enough gain for those times you want to rock out, buy a nice pedal.
i say this because, as a player, a modelling amp is going to make you think you are WAY better than you are. you can layer reverbs, delays, etc, and really sound smooth. all that stuff will cover your mistakes. BUT playing through a small tube combo with lower gain will actually improve your techniques because you won't have a bunch of effects to marinate your "tone" and to hide your mistakes.
when i was kid i used to play with a TON of effects. i had the massive BOSS pedal rig into my marshall. i sounded AWESOME!! not, i said i SOUNDED awesome - not PLAYED awesome.
one day i tried out for a band at a rehearsal studio and i didn't have all my toys. i sounded like ASS!!!! i didn't get the job. i went and traded my marshall for an old fender. i put the pedals away and i learned to play clean.
then i got my rivera and learned to play tube distortion, NOT over the top pedal distortion.
so, for what it is worth, a good practice amp depends on what you want to achieve.GEAR:
some guitars...WITH STRINGS!!!! most of them have those sticks like on guitar hero....AWESOME!!!!
some amps...they have some glowing bottle like things in them...i think my amps do that modelling thing....COOL, huh?!?!?!
and finally....
i have those little plastic "chips" used to hit the strings...WHOA!!!!
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Originally posted by markD View Posti say this because, as a player, a modelling amp is going to make you think you are WAY better than you are. you can layer reverbs, delays, etc, and really sound smooth. all that stuff will cover your mistakes. BUT playing through a small tube combo with lower gain will actually improve your techniques because you won't have a bunch of effects to marinate your "tone" and to hide your mistakes.
Well said.
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