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I got mine about 4 months ago and can find no fault with it. The tone by itself on all 3 channels is killer and it plays well with effects.
Anyone else have any thoughts on these amps?
The Guitars:
Jackson USA SL2H, Jackson Performer PS-4, Gibson Les Paul Studio Gothic, Ibanez JS-1000, B.C. Rich Mockingbird ST, Martin GPCPA5 Acoustic, 14 Warmoth customs, Ibanez Artcore AS73, Ibanez Prestige SR1000EFM Bass The Amps:
Peavey JSX 212 with JSX 412 cabinet, Ampeg B2R with Ampeg Portaflex PF210HE cabinet
The fault I find in it is that's it's too damn heavy. Other than that I like their sounds.
OK, there is one fault. Good thing I don't gig anymore.
The Guitars:
Jackson USA SL2H, Jackson Performer PS-4, Gibson Les Paul Studio Gothic, Ibanez JS-1000, B.C. Rich Mockingbird ST, Martin GPCPA5 Acoustic, 14 Warmoth customs, Ibanez Artcore AS73, Ibanez Prestige SR1000EFM Bass The Amps:
Peavey JSX 212 with JSX 412 cabinet, Ampeg B2R with Ampeg Portaflex PF210HE cabinet
My experience is that cleans just drip out of the speakers, the crunch is ballsy, and the ultra channel gain can almost melt the paint off the walls.
Glad there are others here who like the thing, too.
The Guitars:
Jackson USA SL2H, Jackson Performer PS-4, Gibson Les Paul Studio Gothic, Ibanez JS-1000, B.C. Rich Mockingbird ST, Martin GPCPA5 Acoustic, 14 Warmoth customs, Ibanez Artcore AS73, Ibanez Prestige SR1000EFM Bass The Amps:
Peavey JSX 212 with JSX 412 cabinet, Ampeg B2R with Ampeg Portaflex PF210HE cabinet
Actually I can find one fault with it, I think each channel should have separate resonance and presence controls, if possible. That way you could foot switch between more extreme sounds on the fly, but the sounds are definitly there!!
By the way I love Peavey amps and laugh at the anti Peavey snobs,
did you hear that story about Tom Morello, that limo liberal hypocrite, took the Peavey
logo off his amp because he was embarassed by it!!
peavey has always kicked ass. they've always had good tone, reliability, the right price, and they're a USA product. peavey defined the sound of southern rock in the 70's with the almond bros and lynyrd skynyrd as well as deathmetal in the late 90's with the 5150. never be asshamed of your peavey.
Actually I can find one fault with it, I think each channel should have separate resonance and presence controls, if possible.
I did this with an amp I created, but it didn't work too hot. Because these control the feedback loop, switching from one pot to the other caused a loud pop. This was 20 years ago, I think I could implement it better today.
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