Originally posted by Larz
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Reb beach bagging on hammet
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Originally posted by Endrik View Postheh, I like Ace
specially his wide, in tune vibrato
but I think I'm in a good company with Marty Friedman, Dimebag, Richie Kotzen, Ty Tabor, Nuno Bettencourt, John Norum, Paul Gilbert and many other Space Ace fans
My point was that some people got into both these guys as kids and they are emotionally invested in defending them as something they are not.
In fact, Kirk as the mild-mannered schlep who ain't that good, but got the opportunity to be in a world famous band? That is textbook identification for a lot of guys who are mild mannered and ain't that good, IMO. But he doesn't have the persona or personality of an Ace, more like a scared kid flinching whenever Daddy Jaymz raises his hand to smooth his Brylcream brow.
I never got the impression that Ace was askeered of Gene or Paul. He could give a fuck what they thought. Kirk spoike up ONE TIME in SKOM and they bitchslapped him by not letting him play ANY solos in St. Anger, so he skulked back into his doghouse tail between legs.
Not that I dislike Kirk as a person, I don't. I was proud oif him for showing a sack in the movie, and amazed they left it in. But they showed him who was boss, didn't they? And he took it lying down, went out and spoke the company line that made him redundant.Ron is the MAN!!!!
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I agree about blind-following. I mean drunk Ace sounded like shit and has had so many bad days... as did drugged out Hendrix. Metallica is a pretty big band so there's a lot of blind followers. I used to be huge Metallica fan and thought Kirk had some cool lead ideas on RTL but his vibrato always bothered me. It's something that makes or breaks a player."There is nothing more fearful than imagination without taste" - Johann Wolfgang von Goethe
"To be stupid, selfish and have good health are three requirements for happiness, though if stupidity is lacking, all is lost" - Gustave Flaubert
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Now that this topic has come up, I have NEVER liked Kirk's lead tone. Rhythm-wise, sure, but his lead tone sounds way too midrangey and "nasally" to me. And speaking of his "vibration," yes, it sucks. He doesn't seem to know the proper range in which to waver a note; he either doesn't waver it enough or he wavers it too much. I just generally don't like his solo construction very much, either.
For me, the masters of solo construction are/were:
Randy Rhoads
Brian May
Eddie Van Halen
Vito Bratta (White Lion)
Yngwie MalmsteenMember - National Sarcasm Society
"Oh, sure. Like we need your support."
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Originally posted by PowerTube View PostNow that this topic has come up, I have NEVER liked Kirk's lead tone. Rhythm-wise, sure, but his lead tone sounds way too midrangey and "nasally" to me. And speaking of his "vibration," yes, it sucks. He doesn't seem to know the proper range in which to waver a note; he either doesn't waver it enough or he wavers it too much. I just generally don't like his solo construction very much, either.
I wanted to worship everything Metallica back in the 80's, but kirk was always a hard pill to swallow...especially live. James solos were always tasty and well played...Lots of feel.
Its funny, because people who defend Kirks vibrato are just showing that they too have poor pitch! Sometimes I wish I had poor pitch so I could just enjoy guys like kirk!
I doubt that Reb is all that bent about the dart thing, but even if he is...THAT and the Beavis & Butthead thing did make Winger look very un cool...
BTW...I didn't listen to Winger or stuff like that...But always enjoyed Rebs playing! And its nice to see he doesn't kiss ass...he said how he feels...good on him!
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Originally posted by Endrik View PostI agree about blind-following. I mean drunk Ace sounded like shit and has had so many bad days... as did drugged out Hendrix. Metallica is a pretty big band so there's a lot of blind followers. I used to be huge Metallica fan and thought Kirk had some cool lead ideas on RTL but his vibrato always bothered me. It's something that makes or breaks a player.
And that was the end of his progress as a guitarist. I really think Cliff's death killed the spark in them all, and maybe Kirk the most. I am sure he feels guilty because that was supposed to be his bunk Cliff was in - but Cliff asked to swap.
And Reb, well the darts were thrown a Kip specifically in that video. KKip has been Reb's best friend for 20+ years, and Kip has been down a hard road, including his wife dying and heavy shit like that. So Reb maybe being still defensive of his good friend after all this time, doesn't surprise me. Still he put it in a pretty humorous way - as if he wasnt sure who he was? LMAO!
As for the blind thing, hey, I thought Captain Kangaroo was THE SHIT when I was 4, but I'm not saying he's the best TV actor EVAR in 2010.Ron is the MAN!!!!
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Originally posted by PowerTube View PostFor me, the masters of solo construction are/were:
Randy Rhoads
Brian May
Eddie Van Halen
Vito Bratta (White Lion)
Yngwie MalmsteenModels
The prudes may snub them, but I don't care.
I dont need furniture.
If its tough, shreds, and screams, Its all good.
If it gets jacked, I'll get another one.
And rock that sucker.
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winger was great for getting pussy & looking at tits and ass in tight spandex. musically tho its was bubble gum pop rock, pure shit if u ask me.
as for talent sure winger had it, but hell i saw Joe Satriani, i was impressed for 15 minutes spent the rest of the time outside smoking & drinking (at jones beach). soundgarden no where near the musical talent,but i didnt miss a fuckin second of that show. talent & technical ability have nothing to do with writing kickass songs, as long as you have the skills to pull it off live does it really matter.
that being said ive heard Hammett sound pretty bad live, OK very bad....but still
KILL'EM ALL how can you argue with that....
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Originally posted by j2379 View Postwinger was great for getting pussy & looking at tits and ass in tight spandex. musically tho its was bubble gum pop rock, pure shit if u ask me.
as for talent sure winger had it, but hell i saw Joe Satriani, i was impressed for 15 minutes spent the rest of the time outside smoking & drinking (at jones beach). soundgarden no where near the musical talent,but i didnt miss a fuckin second of that show. talent & technical ability have nothing to do with writing kickass songs, as long as you have the skills to pull it off live does it really matter.
that being said ive heard Hammett sound pretty bad live, OK very bad....but still
KILL'EM ALL how can you argue with that....
That bubble-gum pop rock shit took 10x the skill to play as anything on Kill "Em All. Just takes a couple lines of meth to do that shit. Why do you think they called it speed metal before they renamed it thrash?
Winger wrote some syrupy shit but also wrote some great songs, but the anti-posers (who were just an alternate type of posers) couldn't hear the talent because they had blinders on and earplugs in. The musicians who didn't have their heads up their ass or some Neanderthal pseudo-biker mentality recognized the talent, and yeah, the songs. "Madalaine" is an awesome song! "Seventeen" has an awesome rhythm part and a killer solo. Just two examples, there are many more.Ron is the MAN!!!!
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Originally posted by lerxstcat View PostRTL, - these guys have potential, and Kirk progressed noticeably from KEA to RTL. MOP hit and I loved that album! Kirk was still a little off but I liked a lot of his solos and thought he was starting to get somewhere.
And that was the end of his progress as a guitarist.
Rich, maybe Kirk needs to go back & take lessons from Satriani again."Quiet, numbskulls, I'm broadcasting!" -Moe Howard, "Micro-Phonies" (1945)
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But no one can teach you pitch. You either have it or don't. That's why on Bob Rock produced albums you almost never hear Kirk's vibrato as Bob just made him play those notes just ringing out and whatnot. It must have been quite a shock for Bob who just worked with John Fucking Sykes!!!"There is nothing more fearful than imagination without taste" - Johann Wolfgang von Goethe
"To be stupid, selfish and have good health are three requirements for happiness, though if stupidity is lacking, all is lost" - Gustave Flaubert
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While KEA may not sound phenomenal to a newer generation, I was 14 when that record came out and it just blew away all the pop music that the masses listened to at the time, like U2 or The Cure, etc....it was just fast, heavy, raw, energetic, didn't have songs about chicks or falling in or out of love.......that's why a lot of people hold it in such reverence.
Sure there were a lot of similar choices at the time like Slayer, Venom, Megadeth, etc. on the underground scene and everyone has their favorite, but KEA was it for me and brings back wicked pissa memories everytime I listen to it.
Doesn't matter to me if Seek and Destroy is easier to play than Madaleine, it just crushes it as an iconic song in metal history.Jackson KV2
Jackson KE1T
Jackson KE1F
Jackson SL1
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