I covered this very subject countless times, and exhausted every opinion/fact imaginable. Yngwie is all about him, and doesn't play well with others. Uli is about the big picture, and dynamics. His dynamic are untouchable. Uli will play with anyone and has..satch..steve...slash...gilbert...schenker.... anyone willing to plug in and jam.
What is untouchable is solos such as "somany lives away" written 1977. To even debate the dynamics of innovations, and picking technique and dynamics. Put it this way the art work on Uli's first 1978 debut is titled "Rising Force". I know every player worth of mention and own their entire body of work. Forget Ritche. There wouldn't be Yngwie without Uli or The player in Silver Mountain in 1981, Jonas Hansson. Sadly, he is overlooked and culticated Yngwie's showmanship..all the tricks, kicks, teeth, behing head..back...and spinning his guitar around him..throwing it and catching it. Yes, that's were Lars got that as a teen. It's on Youtube. It was.
Let's say I've been on with Mike Varney since the beginning. I taught as bassist who's next to Kotzem GP iss #88. He also played with also played with Paul Gilbert, Greg Howe, Jack Starr, and others who lived in PA during the mid 80's. But practice to and fro PA to Cleveland is well...that.
I LOVE Yngwie but prefer writing composition and crafting solos that are songs within song. Sure Yngwie does that..I can't take that away. But he's been writing the same solos and music since 1983. I think his ealier work is his best work. I don't think he wrote anything that rivas his work in Alktraz, and the first three Rising Force records. I have everything's he's done and bought his '96(?) Japanese only -Concerto- for $46 when new. Just to be pissed when the reissued several years later on a domestic label.
I love your passion for Yngwie. I truly dig that! But to judge the "best", one must know ALL the players..including the likes of Al Di Meola.
But I agree that Jimi Hendrix, Eddie Van Halen and Yngwie Malmsteen influenced more players , and changed guitar music forever. I'm not saying they're the best..just the most influential. That trinity is unmatched of influencing the landscape of guitar playing. I think Jeff Loomis..I've known him since '96 is the "new breed" which is well deserved. Uli loves him. They met in Franfurt Germany where Uli gaves him lesson in his hotel room ..then Jeff gave Uli one of his sig geetars. That's what Uli Roith told me while I was wearing an old Nevermore shirt.. that he immediately noticed.
I convince John (Cleveland Metal) to go who is a truly devout Yngwie nut. Ynwie played just days after Uli did at the same venue. Too bad they couldn't arrange time together. But after watching both John was just blown away by the feel and dynamics of Uli complared to Yngwie...who's just so fuggin' intense. Uli is so laid back..he doesn't break a sweat. But he gives a look that would kill if anyone played a wrong note or broke his concentration. I found that out the hard way...oops. He forgave me tho. I screamed "ULLLLLLLIIIIIIII!!!!!!!" like Chris Farely...during an intro that he was completely absorbed in.
Fuck the Typos..
What is untouchable is solos such as "somany lives away" written 1977. To even debate the dynamics of innovations, and picking technique and dynamics. Put it this way the art work on Uli's first 1978 debut is titled "Rising Force". I know every player worth of mention and own their entire body of work. Forget Ritche. There wouldn't be Yngwie without Uli or The player in Silver Mountain in 1981, Jonas Hansson. Sadly, he is overlooked and culticated Yngwie's showmanship..all the tricks, kicks, teeth, behing head..back...and spinning his guitar around him..throwing it and catching it. Yes, that's were Lars got that as a teen. It's on Youtube. It was.
Let's say I've been on with Mike Varney since the beginning. I taught as bassist who's next to Kotzem GP iss #88. He also played with also played with Paul Gilbert, Greg Howe, Jack Starr, and others who lived in PA during the mid 80's. But practice to and fro PA to Cleveland is well...that.
I LOVE Yngwie but prefer writing composition and crafting solos that are songs within song. Sure Yngwie does that..I can't take that away. But he's been writing the same solos and music since 1983. I think his ealier work is his best work. I don't think he wrote anything that rivas his work in Alktraz, and the first three Rising Force records. I have everything's he's done and bought his '96(?) Japanese only -Concerto- for $46 when new. Just to be pissed when the reissued several years later on a domestic label.
I love your passion for Yngwie. I truly dig that! But to judge the "best", one must know ALL the players..including the likes of Al Di Meola.
But I agree that Jimi Hendrix, Eddie Van Halen and Yngwie Malmsteen influenced more players , and changed guitar music forever. I'm not saying they're the best..just the most influential. That trinity is unmatched of influencing the landscape of guitar playing. I think Jeff Loomis..I've known him since '96 is the "new breed" which is well deserved. Uli loves him. They met in Franfurt Germany where Uli gaves him lesson in his hotel room ..then Jeff gave Uli one of his sig geetars. That's what Uli Roith told me while I was wearing an old Nevermore shirt.. that he immediately noticed.
I convince John (Cleveland Metal) to go who is a truly devout Yngwie nut. Ynwie played just days after Uli did at the same venue. Too bad they couldn't arrange time together. But after watching both John was just blown away by the feel and dynamics of Uli complared to Yngwie...who's just so fuggin' intense. Uli is so laid back..he doesn't break a sweat. But he gives a look that would kill if anyone played a wrong note or broke his concentration. I found that out the hard way...oops. He forgave me tho. I screamed "ULLLLLLLIIIIIIII!!!!!!!" like Chris Farely...during an intro that he was completely absorbed in.
Fuck the Typos..
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