Originally posted by VoiceX3
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Marty says his goal in playing guitar is to reach a point where he simulates the human voice, like talking and singing. When I listen to Mary solos (and for instance Criss Oliva, Alex Skolnick solos) I hear the solo is "telling" something actually. Like it has sentences or so. Glen is like a baby, who can't build sentences or uses 2 words per sentence. Today while I was wathcing "That one night live in Buenos Aires" DVD I was thinking about the things I posted & read in this thread at the beginning after a while I concentrated on the video (it's incredible imo ) and forgot about Glen and his playing. At a point Glen was playing a solo of Pitrelli (from the song Return to Hangar) which was like a sentence and he changed and watered it down to 2 words I immediately thought of the things I posted again..
If your taste in guitar is having weak phrases or if the phrases don't matter for you at all then I can't say anything more, at that point it's about taste and opinions completely but I guess you don't think that way. Composingwise Glen is clearly weaker than any other Megadeth guitarist from my point of view.
I always thought he plays great, really clean with lots of definition. His tone is incredible, probably the tone I'd like to have but those are not the things I care for more than feel & composing. He also has a really strong feel of his own but not in a good way
When you get the album listen to the solos in the songs United Abominations and Burnt Ice. Those are the best solos of Glen in the album composing and phrasingwise imo (that's why I'm giving them as examples) both of which start great and then even those get lost at a point. His note choices make the solo stand at a point and not improve/grow up. There are also lots of meaningless, useless solos with zero phrasing by Glen one of which is the first solo to Never Walk Alone, it somehow disgusts me
After you listen to those, listen to the Lucretia solo by Marty. The solo always leads you somewhere, it improves, tells something and then tells "the next" thing and you can't guees what it's going to. Starts from somewhere and goes elsewhere, melodically and logically passing from some stages.. I can't find this on Glen solos. There are lots of guitarists who can do this great and Megadeth needs one of them Marty was/is the best at that imo, Pitrelli wasn't as good as Marty for me but he was great anyway and could do the job! But I can't stand Glen
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