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Masters of the whammy bar

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  • #61
    Originally posted by Frigo89 View Post
    ...and Steve Lynch, he used it in a different way though
    +1

    Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

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    • #62
      its funny, I showed that video to a buddy (the short version) and he said "he's not actually playing that! its just the song!"

      then I showed him the long version, where his tone is EXACTLY The same
      Out Of Ideas

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      • #63
        EVH, Jimi Hendrix, Steve Vai, SRV, Beck, Brian Setzer, Dimebag.

        Mike
        Sleep. The sound doesn't collapse to riffs of early eyes either.

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        • #64
          EVH
          Vai
          Lynch
          Me

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          • #65
            I saw a Shotgun Messiah live and Harry Cody tore it up.He nailed all the Vai and EVH licks and in general is a very clean player. I have huge respect for HKC.
            Really? well screw Mark Twain.

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            • #66
              When someone says tremolo the first person who comes to mind is Jimi Hendrix. I think he is the original user/abuser of the screaming heavy metal tremolo. Actually he had all kinds of trem tricks. Too bad he never got his hands on a Floyd.

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              • #67
                Yeah, but the question pertained to "master". While I love Jimi's playing trem proficiency was not his forte.
                I'm not Ron!

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                • #68
                  I think who is a "tremolo master" is strictly a matter of opinion. I think there are probably a lot of people who would consider Jimi to be one. I can't think of anyone before him who used a tremolo as aggressively as he did especially in combination with aggressive tones and feedback.

                  I don't consider Jimi to be a particularly precision guitarist, but I think he more than made up for it with his ability to improvise lead, rhythm, and arrangement on the spot. Listen to his "Live at the Fillmore" and "A Band of Gypsies" recordings. These two albums are recordings from 4 concerts he did on New Years Eve 1969 and New Years Day 1970. He improvised very different versions of each song on the set list at each concert back to back. I think his sonic palette is stunning to say the least, and his tremolo tricks are an integral part of it.

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                  • #69
                    Everybody mentioned plus. Ozz Fox. Uses the bar very well yet tastefully.
                    Much like EVH and Bratta.
                    Gil

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                    • #70
                      Jimi started the crazy over the top whammy bar stuff..feedback, divebombs and all.

                      That's what grabbed my attention the first time I watched him on video..I wasn't the only one..that's for sure!!!
                      "Bill, Smoke a Bowl and Crank Van Halen I, Life is better when I do that"
                      Donnie Swanstrom 01/25/06..miss ya!

                      "Well, your friend would have Bell's Palsy, which is a facial paralysis, not "Balls Pelsy" like we're joking about here." Toejam's attempt at sensitivity.

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                      • #71
                        Oh, trust me, Jimi's one of my favorite players, it's just that I never considered him to be that great on a trem. I mean, it doesn't take any "mastery" to dive a trem or F with feedback, otherwise I'd be considered a friggin virtuoso!
                        I'm not Ron!

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                        • #72
                          Gary Moore

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                          • #73
                            Originally posted by Racerx2k View Post
                            Oh, trust me, Jimi's one of my favorite players, it's just that I never considered him to be that great on a trem. I mean, it doesn't take any "mastery" to dive a trem or F with feedback, otherwise I'd be considered a friggin virtuoso!
                            First, I think Jimi deserves a little more credit than others because he pioneered and popularized the use of aggressive tremolo technique in the first place. Second, I agree that it doesn’t take a master to do dives or combine feedback with tremolo techniques. Most beginners can do that. What makes Jimi special was the diversity of sounds he could make (with or without overdrive) and the way he artfully incorporated them into his songs. Plus he often made these sounds off the cuff while improvising. Third, Have you heard the two albums I mentioned in post #38? There is a lot more to Jimi than the studio albums he made with the Experience. If you can play the way Jimi did in “A Band of Gypsies” then you are a virtuoso, and I’d pay big bucks to see you play. I'm sure others would too.

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                            • #74
                              Just listen to the live version of "I don't live today" from, I think, Monterey Pop and tell me Jimi wasn't a master of the trem.

                              Mike
                              Sleep. The sound doesn't collapse to riffs of early eyes either.

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                              • #75
                                Originally posted by Snoogans View Post
                                Mr. Jeff Beck.
                                Beck...gives me goosebumps how good this guy is with a whammy.

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