Originally posted by deflep
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Masters of the whammy bar
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Originally posted by excon View PostFirst, I think Jimi deserves a little more credit than others because he pioneered and popularized the use of aggressive tremolo technique in the first place. Second, I agree that it doesn’t take a master to do dives or combine feedback with tremolo techniques. Most beginners can do that. What makes Jimi special was the diversity of sounds he could make (with or without overdrive) and the way he artfully incorporated them into his songs. Plus he often made these sounds off the cuff while improvising. Third, Have you heard the two albums I mentioned in post #38? There is a lot more to Jimi than the studio albums he made with the Experience. If you can play the way Jimi did in “A Band of Gypsies” then you are a virtuoso, and I’d pay big bucks to see you play. I'm sure others would too.I'm not Ron!
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Originally posted by Racerx2k View PostAre you serious? He's the prime example of how ANYONE can just wank on a bar.......and he DOES.
Reb Beach is probably THE whammy master thoughOut Of Ideas
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Originally posted by Racerx2k View PostWhile I am aware of Band Of Gypsies, and have listened to what he did, then, I didn't really care for it. I'm more of an Experience fan. And while I agree that he was a pioneer, in a sense, I don't feel he was a "master" of it. There have been many other who were, IMHO, much better at it, since him. I think alot of his sound diversities were more rooted in the pedals he chose to use, than anything. What attracted me to Jimi was the fire and passion to which he played. Same with SRV. To me, music and playing should always be about stirring an emotion within the listener, whatever the emotion may be, and both of them most definitely did that for me.
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Originally posted by Racerx2k View PostAre you serious? He's the prime example of how ANYONE can just wank on a bar.......and he DOES.
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Originally posted by excon View PostUh-oooh! Here we go again. Kerry's tremolo sounds are not meant to be pleasing to the ear. They are meant to sound evil, twisted, or terrifying. I think Kerry accomplishes this artfully, but as I said, there is no accounting for taste.
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Count me in with the evil shit.
In fact, I have to take an evil shit..
just like the new southpark episode!!"Bill, Smoke a Bowl and Crank Van Halen I, Life is better when I do that"
Donnie Swanstrom 01/25/06..miss ya!
"Well, your friend would have Bell's Palsy, which is a facial paralysis, not "Balls Pelsy" like we're joking about here." Toejam's attempt at sensitivity.
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Furthermore, Kerry King's use of the tremolo is meant to inspire mood or atmosphere. A certain a mount of Jimi's tremolo use was meant to do the same thing. He could emulate a light breeze or a hurricane. He could emulate a torrent or water or dripping fluids. As everone knows he could emulate the sound of a fucking war! And, he usually placed these sounds in songs that matched the topic. I think that is an ingenious use of tremolo in itself.
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Originally posted by excon View PostFurthermore, Kerry King's use of the tremolo is meant to inspire mood or atmosphere. A certain a mount of Jimi's tremolo use was meant to do the same thing. He could emulate a light breeze or a hurricane. He could emulate a torrent or water or dripping fluids. As everone knows he could emulate the sound of a fucking war! And, he usually placed these sounds in songs that matched the topic. I think that is an ingenious use of tremolo in itself.
Exactly..very nice."Bill, Smoke a Bowl and Crank Van Halen I, Life is better when I do that"
Donnie Swanstrom 01/25/06..miss ya!
"Well, your friend would have Bell's Palsy, which is a facial paralysis, not "Balls Pelsy" like we're joking about here." Toejam's attempt at sensitivity.
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