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I saw/heard the exact same thing on a video of David Gilmore recording solos for the Wall. When isolated, the tone was harsh and hideous, but in the mix it was amazing.
GILMOUR, not "Gilmore"
God, that people make that mistake on every single forum.
About Randy Rhoads... I've always thought his tone sucked as well... but then I finally found the Tribute album. If the Marshall RR head sounds like this, wow. It's strong, powerful and awesome sounding!
+1 There are far too many to mention but I just heard Surfin with the Alien on the way home from work yesterday and thought to myself that tone sucks more than I remember it
Wow surprising to see how many people dislike Satch's tone. I personally like it
I always thought George Lynch's tone sucked but then again I don't like his playing either..
???????? The tone on back for the attack was pretty much as good as it gets. So was the playing. Satch? Surfing may have kinda thin tone, but every time ive seen him live its been good.
Its a complete catastrophe. But Im a professional, I can rise above it. LOL
Jesus...everyone is naming my hero's! Satch, Sheehan, etc.. for me
it's Poison'a CC. DeVille.. ok, but not great. Also except for Bruce Kulick
, Ace's tone sucked too! And while i am impressed with his chops, and
phrasing... Richie Sambora...bores me with his tone.
The Satch comments are a bit unfair, at least as far as SWTA goes. Some of those solos were in fact ice pick harsh...but I think that's what he was going for (I mean one song was called "Ice 9" for crying out loud). On "Always With You, Always With Me", he had a beautiful, expressive tone. "Crushing Day" had a killer scooped crunchy rhythm tone that I often try to imitate.
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"Artists should be free to spend their days mastering their craft so that working people can toil away in a more beautiful world."
- Ken M
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