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The Satch comments are a bit unfair, at least as far as SWTA goes. Some of those solos were in fact ice pick harsh...but I think that's what he was going for (I mean one song was called "Ice 9" for crying out loud). On "Always With You, Always With Me", he had a beautiful, expressive tone. "Crushing Day" had a killer scooped crunchy rhythm tone that I often try to imitate.
Definite +1 for Always With You. Beautiful tone and phrasing combined in that song.
The Satch comments are a bit unfair, at least as far as SWTA goes. Some of those solos were in fact ice pick harsh...but I think that's what he was going for (I mean one song was called "Ice 9" for crying out loud). On "Always With You, Always With Me", he had a beautiful, expressive tone. "Crushing Day" had a killer scooped crunchy rhythm tone that I often try to imitate.
I guess you could argue that he was going for certain tones, but everything on that album just sounds way too buzzy for my taste. But then again, so does the JSX!
I hate to say it because I like his speed and articulation,but Nuno.Some of the solos on Pornograffitti are badass,but to me it sounds really thin and emotionless sometimes......................
The Satch comments are a bit unfair, at least as far as SWTA goes. Some of those solos were in fact ice pick harsh...but I think that's what he was going for (I mean one song was called "Ice 9" for crying out loud). On "Always With You, Always With Me", he had a beautiful, expressive tone. "Crushing Day" had a killer scooped crunchy rhythm tone that I often try to imitate.
I wouldn't say unfair... a lot of times he has a very annoying tone but the other hand I really like the tones he has on Engines Of Creation
"There is nothing more fearful than imagination without taste" - Johann Wolfgang von Goethe
"To be stupid, selfish and have good health are three requirements for happiness, though if stupidity is lacking, all is lost" - Gustave Flaubert
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