Congrats. I'd also love to have one of those.
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My 25th Anniversary San Dimas!
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Breaking Point, my all instrumental CD available here:
www.cdbaby.com/cd/richardjamessounds
http://www.amazon.com/Breaking-Point...92366&sr=301-1
http://youtube.com/user/jsrmusic
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What I've noticed about this one vs my new USA So Cal / San Dimas is that the neck on the 25th (in the pocket) straight in line w/ the body like a strat, whereas on the new ones the neck is angled back in the pocket? Am I seeing things? The 25th neck is not thick at all. I actually picked the guitar up because of the neck as I was trying out different things for feel on a Warmoth project. After playing it a couple of times I knew I couldn't bear for anyone else to own it
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Originally posted by blackcloud45 View PostWhat I've noticed about this one vs my new USA So Cal / San Dimas is that the neck on the 25th (in the pocket) straight in line w/ the body like a strat, whereas on the new ones the neck is angled back in the pocket? Am I seeing things?I feel my soul go cold... only the dead are smiling.
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Fantastic guitars - only thing that has put me off one is the non-locking trem. How do you guys find the tuning stability? I've always had Charvels with Floyds, I did try one with a vintage trem but the tuning was all over the shop as soon as you touched it, which has kinda put me off these 25th Anniversary ones - although I do drool every time I see a picture of one.
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Vintage tremolos are a real ball buster to keep in tune when doing whammy work. Some use graphite on the nut for smooth string movement. Other like me crank down the spring claw in the back and mainly use it as a hard tail. Best setup i have seen is locking tuners and a roller nut for whammy work with a vintage tremolo.
CHUCKCHUCK
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What others said, my bridge is all the way down so its like a hard tail.
RudyRudy
www.metalinc.net
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