The GC that I used to go to when I still lived in CO almost always had a bunch of cool high-end used guitars and amps.
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What corners were cut on the production models
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I have no complaints about GC's used guitars. I got my Custom Shop Kelly (Ex-Jack Frost guitar) there as well as a one hum pointy/OFR USA Charvel, and of course a used Rhoads LTDRudy
www.metalinc.net
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Originally posted by MakeAJazzNoiseHere View PostI haven't given up on it... 1/32" is not worth giving up on something. FYI, GM Arctic White is a pretty good match.
Ordered some parts for the black one this morning... The black Korean Floyd will become a spare parts donor, to fix the OFR on my DK1.
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I totally agree my white SD1 is not a "typical" production series guitar in terms of quality (my black SD1 and all of the other happy customers are evidence of that) and I honestly appreciate the offer, man. That is really cool of you to do that for me.
But it's 99% done already. The lower side was cake to fix (just smoothed the radius, didn't even hit wood) and a couple of passes with some touch-up paint to build up 1/32" of corner on the top side and it's looking really good when I test-fitted the neck this morning.
The only issue remaining is the 19th fret, which will take me literally 10 minutes to fix.
So I'll put it this way, I'm happy with it... I'm kind of having fun with it. I guess I like to fix guitars as much as play them.
I'm not in any way discouraging people from buying these, but do think they should be on the look out for the occasional "dog." Obviously, it can happen, and has, and probably will again.
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Well, that's true for any model in any price range - I've seen pics of brand new USA Les Pauls that had horrible issues.
Then again, if you've seen the Made In America episode featuring Gibson and their Memphis facility (which now produces all solidbody electrics), you wouldn't touch another one. Aside from the CNCd bodies (yes, even those famous arched tops are not done by hand), there's the sloppy buffing - the guy was dancing around while buffing the body and the tape that protects the fretboard was peeling off about 5 frets from hitting the buffing wheel.
One can only imagine what was being done to the board, binding, and frets.
Then of course there are even USA Custom Shop issues, with all brands.
However, the good ones outnumber the bad ones, even though it still sucks to get a bad one.I want to depart this world the same way I arrived; screaming and covered in someone else's blood
The most human thing we can do is comfort the afflicted and afflict the comfortable.
My Blog: http://newcenstein.com
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Originally posted by Newc View PostThen again, if you've seen the Made In America episode featuring Gibson and their Memphis facility (which now produces all solidbody electrics), you wouldn't touch another one. Aside from the CNCd bodies (yes, even those famous arched tops are not done by hand), there's the sloppy buffing - the guy was dancing around while buffing the body and the tape that protects the fretboard was peeling off about 5 frets from hitting the buffing wheel.-------------------------
Blank yo!
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Originally posted by Rupe View PostImplying that CNC'd bodies are lower quality is a complete misnomer...if anything, they are better/more consistent than a hand made body.Rudy
www.metalinc.net
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I'm all for CNC machines. Someone mentioned earlier (maybe in another thread?) that Gibson does their LP archtops by hand.
The only "luthier" I saw actually touch a guitar in that episode was the guys that did the fretwork, binding, and inlays. The rest of it was machines and what appeared to be "laborers".Last edited by Newc; 05-21-2009, 06:37 AM.I want to depart this world the same way I arrived; screaming and covered in someone else's blood
The most human thing we can do is comfort the afflicted and afflict the comfortable.
My Blog: http://newcenstein.com
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Originally posted by Newc View PostI'm all for CNC machines. Someone mentioned earlier (maybe in another thread?) that Gibson does their LP archtops by hand.
The only "luthier" I saw actually touch a guitar in that episode was the guys that did the fretwork, binding, and inlays. The rest of it was machines and what appeared to be "laborers".
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