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Notice I didn't say people who "hate" black guitars - which you clearly do. That's OK - I hate guitars with ridiculous flame and quilt tops.
But like you said - you can change a black guitar to something you like by adding a graphic - you can't do the same with a maple fretboard.
Not trying to pick a fight with you, bro. Notice that I never said I hated black guitars. I said I love white ones - I just prefer white or some other color instead of black. There are a handful of black guitars that I like but I would probably never own one. Similarly, I prefer maple over rosewood but I have have both. I think the color of the guitar is on the same level as the wood of the fingerboard - people don't generally settle (unless for financial reasons or limitations on the availability of certain specs). So that's why they have menus at restaurants - everyone has different tastes and the order what they want.
i dont get why it would be a problem-Gibson is making the Kramer 1984 which is almost an exact replica of hes 5150 Kramer.
Well, Kramer probably inked a deal with Ed just like Jackson did for the EVH models.
However, part of that deal may have been that Jackson/Charvel can't do a one-hum maple-boarded Strathead except as a Custom Shop run for the very reason that most people would turn them into EVH copies and therefore sell them for tons on Ebay, effectively cutting EVH out of the pie.
I want to depart this world the same way I arrived; screaming and covered in someone else's blood
The most human thing we can do is comfort the afflicted and afflict the comfortable.
Bionic you're the guy that said one hum was decided against because FMIC is trying to keep them inexpensive to produce. Keeping it simple.
All that had to be changed was the pickguard and eliminate a pickup.
There's only one reason for FMIC to take that position when we all know they would sell. If thats the twist then i think that's great.
BTW, where do I sign up for a factory tour? I'm going to be out there in a month or so and I'd love to check it all out. I think that would be cool., and is there swag you get at the end of the tour or anything?
Why the hell doesn't Eddie pick up a goddamned guitar and play something?
Current Junk: 98 ESP S'burst Tiger,(2) 85 Jackson Soloists (1 pink, 1 red and a white 85 Rhoads),08 Wayne,98 Blackmore, 91 375 Deluxe, 91 MM EVH Purple, 75 Ibanez Korina Destroyer,74 Strat, 78 JMP, 87 JCM800, (2) 80 Hamer Sunbursts, Peavey Vandenberg Custom Puzzle, 335, LPR8, 80 Dimarzio Explorer, 80 Dimarzio Strat, 84 Charvel, Nightswan, LPC Lite, old Baretta, etc. etc. +stuff. [sigpic=true][/sigpic]
I don't know what the twist is, but here are my thoughts on some of the ideas presented. I wouldn't think matching headstock colors simply because now you have attached certain necks to certain guitars. Someone has to keep track of how many bodies and necks of certain colors were made. Also, if something happens now you have an extra body or neck of one color. Easy fix to change the color but more time and effort leading to more expensive. Same idea with a rosewood board. There are extra processes involved in creating a rosewood fretboard neck - not harder, but a little more time consuming. Once again, adding cost to an inexpensive high quality guitar. I'll be interested to see what the twist is.
It will probably be matching headstocks and rosewood fretboards and you can all kick me in the ass for my comments!!
most people would turn them into EVH copies and therefore sell them for tons on Ebay, effectively cutting EVH out of the pie.
Very little chance of that happening. Even if you bought a replica EVH from a yard sale, EVH's lawyers and Ebay don't care. They will remove the listing. You usually have a couple of hours on Ebay before the EVH police remove your listing.
I went with the 1H thing. Get people to pay more....for less! That is soooo Fender. What I'd like to see is a pointy headstock on the tele, though.
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"Artists should be free to spend their days mastering their craft so that working people can toil away in a more beautiful world."
- Ken M
I don't think white would be a twist, that's a colour they're holding back on and a colour I'd go into (more) debt for and they know it. Could be rosewood boards and snowdrift inlays...?
Not trying to pick a fight with you, bro. Notice that I never said I hated black guitars. I said I love white ones - I just prefer white or some other color instead of black. There are a handful of black guitars that I like but I would probably never own one. Similarly, I prefer maple over rosewood but I have have both. I think the color of the guitar is on the same level as the wood of the fingerboard - people don't generally settle (unless for financial reasons or limitations on the availability of certain specs). So that's why they have menus at restaurants - everyone has different tastes and the order what they want.
No no. No fight mAn. I'm of the opinion that color is generally secondary but wood is not. So all things being equal, you buy the one that plays and sounds the best regardless of color. That's how I ended up with my black San dimas instead of the candy red or blue. The black sounded and played the best.
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