Aaaaaaaahhhhhhhh!!!!!!!!!!
Don't shoot me yet! I've been a huge proponant on this board about the quality of the Pro Mod series and the negligible difference between a German Floyd and a Korean Floyd. I still am supporting both statements!
BUT.................
That damn chrome on the Polar White SD1's made me crazy for chrome, so I'm working on converting over my black on black on black SD1 into chrome on cream (and maybe gold) on black. The first thing to go was the black Floyd for a new German chrome model. I figured while I was at it, I would snap some reference pics of the two trems to show them off to everyone (and maybe dispell some myths).
I'll state this - the only reason I changed the Floyd to a German unit was for looks.
Now, I know someone else did this way back, so if its repetative to you, feel free to ignore this whole thing and go back to bitching about the Korean Floyd (lol)....
Some quick observations which you'll see in the pics:
- The back edges of the Korean Floyd are beveled (I think everyone knows this)
- The block is roughly finished - you can see the German one is smooth
- The fine tuners on the Korean one are about .5mm thicker on the knob part (tried to show this in a pic)
- The underside of the baseplate is smooth on the Korean Floyd
I weighed both trems - just the trem and block, no bar:
- Korean 14.45 oz
- German 13.7 oz
Now, the most shocking difference to me:
- The German Floyd sits a few mm higher than the Korean version. I have a lot more pull back on the German version than the Korean version. I typically set my action by feel. basically, I go as low as possible without fretting out on a 1 step bend anywhere on the neck. So adjusted for that height, the German version is higher off the body than the Korean version.
The baseplate thickness looks the same to the eyeball. The only thing I can think of is that the cut of the knife edges are different - i.e. the knife edge on the German version is lower than the Korean version, thus the added height. If you look at the knife edges, the German ones look a little bit more "knifier." By my eye, I'm kind of able to see this, but without calipers, who knows...
To my ears... they sound the same. To my hands, they pretty much feel the same. The only things I didn't replace are the bushings and the spring claw (I'm sure that's what accounts for the lack of "improvement" in sound).
The only improvement I noticed was that my high E doesn't buzz at the nut. Now, my SD1 came with a German R3 nut - this is also one of the things that Suhr apparently stated is a common problem with the German Floyd nuts.
Pics:
The rough finish on the Korean block:
The "smooth" finish on the German block:
The underside of the Korean Floyd:
The underside of the German Floyd:
Top view Korean:
Top view German:
Tried to get the tuners side by side...
Clearance on the bass side:
Clearance on the treble side:
And finally... installed on the axe:
Don't shoot me yet! I've been a huge proponant on this board about the quality of the Pro Mod series and the negligible difference between a German Floyd and a Korean Floyd. I still am supporting both statements!
BUT.................
That damn chrome on the Polar White SD1's made me crazy for chrome, so I'm working on converting over my black on black on black SD1 into chrome on cream (and maybe gold) on black. The first thing to go was the black Floyd for a new German chrome model. I figured while I was at it, I would snap some reference pics of the two trems to show them off to everyone (and maybe dispell some myths).
I'll state this - the only reason I changed the Floyd to a German unit was for looks.
Now, I know someone else did this way back, so if its repetative to you, feel free to ignore this whole thing and go back to bitching about the Korean Floyd (lol)....
Some quick observations which you'll see in the pics:
- The back edges of the Korean Floyd are beveled (I think everyone knows this)
- The block is roughly finished - you can see the German one is smooth
- The fine tuners on the Korean one are about .5mm thicker on the knob part (tried to show this in a pic)
- The underside of the baseplate is smooth on the Korean Floyd
I weighed both trems - just the trem and block, no bar:
- Korean 14.45 oz
- German 13.7 oz
Now, the most shocking difference to me:
- The German Floyd sits a few mm higher than the Korean version. I have a lot more pull back on the German version than the Korean version. I typically set my action by feel. basically, I go as low as possible without fretting out on a 1 step bend anywhere on the neck. So adjusted for that height, the German version is higher off the body than the Korean version.
The baseplate thickness looks the same to the eyeball. The only thing I can think of is that the cut of the knife edges are different - i.e. the knife edge on the German version is lower than the Korean version, thus the added height. If you look at the knife edges, the German ones look a little bit more "knifier." By my eye, I'm kind of able to see this, but without calipers, who knows...
To my ears... they sound the same. To my hands, they pretty much feel the same. The only things I didn't replace are the bushings and the spring claw (I'm sure that's what accounts for the lack of "improvement" in sound).
The only improvement I noticed was that my high E doesn't buzz at the nut. Now, my SD1 came with a German R3 nut - this is also one of the things that Suhr apparently stated is a common problem with the German Floyd nuts.
Pics:
The rough finish on the Korean block:
The "smooth" finish on the German block:
The underside of the Korean Floyd:
The underside of the German Floyd:
Top view Korean:
Top view German:
Tried to get the tuners side by side...
Clearance on the bass side:
Clearance on the treble side:
And finally... installed on the axe:
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