hi i hust purchased these can someone help with imfo on these . the fire crackle is serial#4689 and has the san dimas back plate and the blue one has serial #003050 and has the ontario back plate. just curios what they are? curious about the grover jackson signature on the fire crackle and what are they worth. i am hoping i didnt overpay lol hres the link http://s775.photobucket.com/albums/yy33/bootlegger1/
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help with my usa jackson
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The serial number info is available on the Jackson site so you can date the guitars there.
Grover signed a bunch of guitars in the era of the Firecrackle (1988?) so there's no 'rarity' factor there. Someone near Seattle was trying to get rid of one like that for around 400... Actually, seeing the extra switch, that looks like the same guitar.
The Blue one I think is an AT1, but check out the catalogue scans at this link. I think these were from 98 or so...
Popular is not the same as good
Rare is not the same as valuable
Worth is what someone will pay, not what you want to get
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The crackle is just a dinky. It came from the era where all Jacksons were custom shop in that there was no standard production range of guitars. However, Jackson made a bunch of Dinkys like that, plus a blue crackle version.
It's a great guitar for the price, but the finish is kinda dated, the JT6 trem isn't the best and there are loads of them which all go to mean they don't attract a high price.
The AT1 was a bit of a departure from the Jackson norm and they were never particularly popular hence why they didn't last long. I'd suggest that it's the headstock and Wilkinson trem that put a lot of people off.Popular is not the same as good
Rare is not the same as valuable
Worth is what someone will pay, not what you want to get
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Yeah, it's a JT6 - try Dave at www.fretsonthenet.com for parts...Popular is not the same as good
Rare is not the same as valuable
Worth is what someone will pay, not what you want to get
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If budman doesn't have the JT6 part you are looking for, you might be screwed. They are getting damn hard to find. Maybe you can get the parts freed up with some WD40 and elbow grease?_________________________________________________
"Artists should be free to spend their days mastering their craft so that working people can toil away in a more beautiful world."
- Ken M
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