Originally posted by ken
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Marty Friedman to sell Megadeth Era Guitars
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after reading mustaine's memoirs it is surprising that he managed that long in a band full of addicts who often seemed to hate each other couple that with mustaine's need for total control of the band and you can see why he had had enough
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Originally posted by VoiceX3 View PostReally? I never saw that. Hmmmm, interesting if that's true. Anybody else ever hear this?
BTW, if you think he never wrote much in Megadeth you need to listen more to his solo albums, I think it's pretty obvious Marty had a BIG hand in the writing when he was in that band just from listening to his solo stuff.
I don't understand why people think all he does now is Japanese pop music - this is from the 2009 solo album and I'd say it's more "extreme" - certainly it's less "commercial" than anything Megadeth have done. He's still fucking GOT IT - makes me laugh to hear Dave Mustaine go on about how Chris Broderick is the guy he wanted since he started Megadeth. Broderick couldn't play like this - it'd be all sweep picking bleeping and blooping fucking nonsense.
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yeah, i agree on broderick. all flash without substance. marty's solos were great and melodic.
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I just can't make myself dislike Marty. How can you dislike somebody who's true to themselves and what they want to do? Marty could have played it safe and stayed in Megadeth, but he didn't want to. As for the reasons he left, I've heard and read many conflicting things. Mustaine changes his story now and then, and I do remember him saying something to the effect that he and the producers were responsible for the pop direction on the later albums and that Marty didn't want to play it safe. As for Broderick, he's absolutely an awesome player. I've seen him live twice now. His impact on Megadeth's music remains to be seen, though.Last edited by javert; 04-01-2011, 04:36 PM.
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Originally posted by javert View PostI just can't make myself dislike Marty. How can you dislike somebody who's true to themselves and what they want to do? Marty could have played it safe and stayed in Megadeth, but he didn't want to. As for the reasons he left, I've heard and read many conflicting things. Mustaine changes his story now and then, and I do remember him saying something to the effect that he and the producers were responsible for the pop direction on the latter albums and that Marty didn't want to play it safe. As for Broderick, he's absolutely an awesome player. I've seen him live twice now. His impact on Megadeth's music remains to be seen, though.
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Originally posted by MartinBarre View PostI don't understand why people think all he does now is Japanese pop music - this is from the 2009 solo album and I'd say it's more "extreme" - certainly it's less "commercial" than anything Megadeth have done. He's still fucking GOT IT
http://www.youtube.com/watch?v=xq_TUG-5CPY
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
They are pretty big in Japan, and would qualify if not as "J-Pop", then at least as "Popular Japanese Music" in my book, in that they get lots of airplay, are on TV, and have lots of exposure.
I think that when people hear the term J-Pop, they think of songs like this (which Marty also covered):
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
However, J-Pop is not limited to groups of girls in wacky outfits singing over synthetic rhythms.Until you get weaned off the boobie, you are going to have to do what the wife wants too. -Rsmacker
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Bah Atsushi...I lasted 1:20 on that last vid
The girls are nice to look at, but I couldn't take that, aaarrgghhh - maybe if somebody replaces the song with some metal hahaha, yes, a J-pop / metal mashup!"Quiet, numbskulls, I'm broadcasting!" -Moe Howard, "Micro-Phonies" (1945)
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Originally posted by RacerX View PostBah Atsushi...I lasted 1:20 on that last vid
The girls are nice to look at, but I couldn't take that, aaarrgghhh - maybe if somebody replaces the song with some metal hahaha, yes, a J-pop / metal mashup!
Until you get weaned off the boobie, you are going to have to do what the wife wants too. -Rsmacker
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Originally posted by Brian View PostI've only heard one song where it sounded (to me) like Chris Broderick putting his stamp on Megadeth and that was "How The Story Ends." Most everything else on Endgame he sounded like a cleaner version of Mustaine. Was hard to tell in some spots where Mustaine stopped and Broderick began.
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Originally posted by MartinBarre View PostYes. I read it somewhere, straight from Marty - probably his own website. He wanted Megadeth to play more extreme stuff and wasnt happy with where they were going.
BTW, if you think he never wrote much in Megadeth you need to listen more to his solo albums, I think it's pretty obvious Marty had a BIG hand in the writing when he was in that band just from listening to his solo stuff.
I don't understand why people think all he does now is Japanese pop music - this is from the 2009 solo album and I'd say it's more "extreme" - certainly it's less "commercial" than anything Megadeth have done. He's still fucking GOT IT - makes me laugh to hear Dave Mustaine go on about how Chris Broderick is the guy he wanted since he started Megadeth. Broderick couldn't play like this - it'd be all sweep picking bleeping and blooping fucking nonsense.
http://www.youtube.com/watch?v=xq_TUG-5CPY
Originally posted by ceedee View Postyeah, i agree on broderick. all flash without substance. marty's solos were great and melodic.
Originally posted by Brian View PostI've only heard one song where it sounded (to me) like Chris Broderick putting his stamp on Megadeth and that was "How The Story Ends." Most everything else on Endgame he sounded like a cleaner version of Mustaine. Was hard to tell in some spots where Mustaine stopped and Broderick began.
Originally posted by javert View PostYeah, Broderick said in an interview that the album was basically done before he joined, except for the solos, so I think it's safe to assume that he had little or no influence on the compositions as such. Whether he'll get a say in matters down the road is difficult to say.Transitioning from Retired Musician from cover bands to a Full time vocalist/frontman/guitarist in an original and covers band....it's been a while and this should get NASTY!
Check out the new band at - https://www.facebook.com/PerfectStormMetal/?fref=nf
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Originally posted by VoiceX3 View PostI respectfully disagree. There is a huge noticable difference between the 2 styles..... 44 Minutes solo is f'n spectacular as are a few others, and what he added to The Hardest part.....is great!
As for 44 Minutes, I would have to hear it again. It's been a while since I have listened to the record and the only solo I can actually recall and hum in my head is Broderick's in HTSE. The rest, like most of the songs on the record, are pretty forgettable.
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It's incredibly easy to tell which is Dave and which is Chris, Dave has a heavy attack while Chris sounds like he is using a pick made out of butter on the last Megadeth album."There is nothing more fearful than imagination without taste" - Johann Wolfgang von Goethe
"To be stupid, selfish and have good health are three requirements for happiness, though if stupidity is lacking, all is lost" - Gustave Flaubert
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