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Premier Guitar/ Mike Shannon Interview

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  • Premier Guitar/ Mike Shannon Interview

    I haven't read it yet but though it would be of interest

    Edition Digital is a scalable set of solutions for digital publishing which empowers all creatives – from individuals and small teams to complex production and publishing organizations
    ____________________________________________
    Live your life like you're going to die your own death
    No one from above is going to take your last breath

  • #2
    Cool article. Lots of cool pics from the inspection. I love the black and brass one!

    It's funny how there's different stories floating around. This article says the tape is to protect the finish from buckle rash. I've always read it was so Randy could have the guitar flipped over on the dark stage for when Ozzy would appear "out of thin air". But when you see the tape on the back of the black one, the buckle rash thing makes more sense.
    GTWGITS! - RacerX

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    • #3
      It was a very short interview but the photos were really the best part. Maybe with the Concord both reasons were true. It would have been win/win in both scenarios. He was able to be unseen entering the stage and also protect the finish. Mike did say Randy was really distraught about a chip in the finish. I thought Brodderick's little segment was interesting. How hard is it to work with stainless steel fret wire?
      Last edited by Sharkfin; 06-16-2011, 09:49 PM. Reason: iPad auto correct sucks ass
      ____________________________________________
      Live your life like you're going to die your own death
      No one from above is going to take your last breath

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      • #4
        Looking forward to reading that article; I can never read enough Jackson history.

        Stainless frets aren't as difficult as people make them out to be, IMO. The hardest part is cutting them; my hands are tired the day after cutting SS frets. That said, if you bend them to match the fretboard radius (instead of the traditional style of over bending), they drop right in and level nice and easy.

        Sully
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        • #5
          Intereting read, thanks!

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          • #6
            Great read & great pics! Thanks for posting this!



            BTW, Pablo asked me to sign his "blackboard" also!
            "Quiet, numbskulls, I'm broadcasting!" -Moe Howard, "Micro-Phonies" (1945)

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            • #7
              Nice posting here and i have viewed the link and it is really nice with good pics and it is good to see here. Thanks for the posting.
              personal trainer orange county

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              • #8
                orayt!! i enjoyed it much.. i made hard copies in fact.. this will definitely inspire me to push through with my guitar tutorial..
                Last edited by gavin_rossdale; 06-26-2011, 10:54 PM.

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                • #9
                  Originally posted by RacerX View Post
                  BTW, Pablo asked me to sign his "blackboard" also!
                  Well that sure takes away from the cache that Pablos board has.

                  -------------------------
                  Blank yo!

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                  • #10
                    I saw my steel bolt RR in the picture.
                    So happy.

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                    • #11
                      Originally posted by RacerX View Post
                      Great read & great pics! Thanks for posting this!



                      BTW, Pablo asked me to sign his "blackboard" also!

                      May I ask who you are?
                      2003 Jackson SLATQH Custom (cobalt cabo), 2002 Jackson SLATQM (burnt cherry), 2011 Jackson Chris Broderick Soloist (transblack 7), 2007 SL2H (black)
                      Mesa Road King, Bogner Uberkab, Mesa Lonestar Classic, Kemper Profiling Amp, Eventide H8000

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                      • #12
                        Originally posted by Animus View Post
                        May I ask who you are?
                        Oh, I'm a guy at a place...
                        "Quiet, numbskulls, I'm broadcasting!" -Moe Howard, "Micro-Phonies" (1945)

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