Originally posted by Mazrim
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Sharkies......who thought of them first?
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No, wrong! Our true god is poon, because we do the dumbest shit to get it."Bill, Smoke a Bowl and Crank Van Halen I, Life is better when I do that"
Donnie Swanstrom 01/25/06..miss ya!
"Well, your friend would have Bell's Palsy, which is a facial paralysis, not "Balls Pelsy" like we're joking about here." Toejam's attempt at sensitivity.
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Jackson needs to secretly buy one of these and start reverse engineering it. If they could make one that played as nice or nicer than this, I'd buy one, no matter what it cost:
The 2nd Amendment: America's Original Homeland Defense.
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I'm not sure I'd know what to do with an 8-string! I do love my Carvin 7, and they do make 8s now, but I don't know that my tiny brain could utilize that 8th string very well ...
I do like Meshuggah, though.I feel my soul go cold... only the dead are smiling.
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There's no voodoo magic in that Ibanez, is there? Jackson has certainly done some odd things when experimenting with 8's... like the way too big inline headstock and weird choices for nut sizes and scale.
I'm sure if you placed a CS order with the Meshuggah specs, it would come out just as nice or better than this.
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Originally posted by MetalDaze View PostThere's no voodoo magic in that Ibanez, is there? Jackson has certainly done some odd things when experimenting with 8's... like the way too big inline headstock and weird choices for nut sizes and scale.
I'm sure if you placed a CS order with the Meshuggah specs, it would come out just as nice or better than this.
The side markers and logo are fucking sterling silver for christ's sake. Each one is hand crafted by one individual master craftsman with no expenses spared.
I've never seen a single Jackson with fretends so well done.
Originally posted by toejam View PostI'm not sure I'd know what to do with an 8-string!
I'm not theory trained. However, I quickly figured out how to deal with the 8 strings. You play it like a normal 6 but index off the low G, but with your flat string two strings lower. So you need to compensate for the high G, and you need to move any string jumping two frets higher. For example, on the high e if you're doing something 10-12-13 and strike low E, you need to go high E 12-14-15 and strike low G. It works in reverse too. Sorry, I don't know how to explain this. :P
The only real problem playing 8 string is that it's more difficult to index normal 6 string stuff. I get lost on the strings sometimes, but that'll be an issue that will just take familiarization with.
It's fucking amazing. It's like my custom warwick in a way, but a 8 string guitar instead...Last edited by xenophobe; 09-25-2012, 02:18 PM.The 2nd Amendment: America's Original Homeland Defense.
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I'm not theory trained. However, I quickly figured out how to deal with the 8 strings. You play it like a normal 6 but index off the low G, but with your flat string two strings lower. So you need to compensate for the high G, and you need to move any string jumping two frets higher. For example, on the high e if you're doing something 10-12-13 and strike low E, you need to go high E 12-14-15 and strike low G. It works in reverse too. Sorry, I don't know how to explain this. :PLast edited by VanHoosen; 09-25-2012, 02:47 PM.
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Originally posted by VanHoosen View PostWait, so are you saying you tune the lowest string to G (major third) rather than to a 4th?
They ship tuned: F#BEADGBE
I have mine tuned flat: FA#D#G#C#F#A#D#
I was just trying how to explain how I've quickly learned to compensate for the extra low strings. I still have problems with scales in the middle of the neck so I'm just working the right things to do by trial/error. I'm getting the hang of it. At first I was having trouble jumping from the low strings to the high strings, and would end up out of key, but if I move my higher string patterns up two frets, I'm good. On the opposite, if I'm starting something on the high strings, I jump down to the lower strings, I move those notes two frets back and I'm good.
I don't know theory, I play by relative positioning and octaves. I guess playing technical death metal for so long that scales and patterns and harmonizing are positional, not by theoretical structure.Last edited by xenophobe; 09-25-2012, 03:29 PM.The 2nd Amendment: America's Original Homeland Defense.
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Ah, F# to B, or F to A# in your case, is a 4th. I was going to say, having two strings tuned a major 3rd apart (like when you're going from G to B) would be weird, but would make all of the scale positions essentially the same as they are on a 6 string. But a 4th on the 8th string is what I originally assumed before reading what you had to say about a low G.
Way off from the original topic, but I'm sure doing 8 string sweeps would be pretty gnarly.
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Originally posted by xenophobe View PostThe side markers and logo are fucking sterling silver for christ's sake. Each one is hand crafted by one individual master craftsman with no expenses spared.
I hope they are cleared over somehow, having to polish the logo and sidemarkers would be a bitch. My classical has copper ones and I'm forever wiping green corrosion off the top of them.GTWGITS! - RacerX
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