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I can't pick a favorite. I definitely prefer bolt-on to neck-thru or set-neck, but there are few things that make certain guitars my top choices for gigging and recording. For example, I prefer a raw/oiled neck with 24 frets, reverse headstock, MOP inlays, ebony fretboard with jumbo frets, three-way pickup toggle, hardtail fixed bridge (not TOM) and pretty specific pickups. However, most of my guitars don't have ALL of those features. My JDX-94 Concepts are all made in the same year, but some have clearcoat on the neck. My USA DR-2 sounds awesome, but has only 22 frets and weighs a ton. Several of my guitars have JBs in the bridge, and even though there are pickups I would much rather use for recording or with certain rigs, the JBs are consistent across the board.
In terms of playability, my Stealth TH-2 with no-name pickups, 22 frets, fulcrum trem and "ebonized" rosewood board is probably at the top, despite meeting almost none of my criteria.
Other favorites are my modded JDX-94s and Dinky RVS/DR-3 mutt:
HRF jackson strat, cant wait till i get the fret work done. i find myself playing that one or the musikraft mutt more than anyothers. the mutt never gets put away.
got a pic? I thought the Fusion HH was a Jackson. It was mahogany with 2 hums & a toggle switch. A 2 hum Charvel Fusion in swamp ash with a 5-way blade selector would be a Fusion Plus, wouldn't it?
I'd have to say my JS30RR project (added DXMG neck and SD Distortion set)......
.......I've swapped out the black tuners for chrome and added chrome p'up rings since these pics were taken, and I'm toying with the idea of getting some chrome pinstriping tape and doing the bevels too.....
I'm not into hell.........I just dig the soundtrack.........
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