I'd definitely direct mount the bridge pick up. No rings for that baby.
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Ok I got some pictures of a mock-up with a tune-o-matic. (it will of course be black not gold) It also shows a head stock mock-up that will be all brazilian with a Koa cap.
So what do you think? I am leaning towards the tune-o-matic over his custom bridge because it shows off a bit more and feels a bit lighter to me.
What say you?"I have so much gayness at times. My wife walks in my music room, and there I am, in my undies, listening to "Sister Christian" while lighting fireworks..doin' blow." - Bill Z
"I leave off the back plate and pinch my forskin between the tension springs. That may not work for everyone. But I find that the people love it. Half the tone is in the pud." - Bill Z
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Originally posted by Mazrim View PostI'm not sure on the headstock shape although its not terrible and I'd still stick with the custom bridge."I have so much gayness at times. My wife walks in my music room, and there I am, in my undies, listening to "Sister Christian" while lighting fireworks..doin' blow." - Bill Z
"I leave off the back plate and pinch my forskin between the tension springs. That may not work for everyone. But I find that the people love it. Half the tone is in the pud." - Bill Z
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Hey, glad to be of help. Being a carve top will really bring out the figuring on the Koa. You've made the right choice there.
The headstock has grown on me a bit overnight. I just prefer in line headstocks but its a nice original shape.
And the TOM bridge will show off more of the top, I just like the unique angle of the custom bridge.All men play on 10. Never gonna turn down again.
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Originally posted by Mazrim View PostI did a rough mock up. Guessed with a few details but thought you might like it.
In the immortal words of the great philosopher.... Tom Petty
"The waiting is the hardest part"
Last edited by veemagic; 03-16-2011, 09:56 AM."I have so much gayness at times. My wife walks in my music room, and there I am, in my undies, listening to "Sister Christian" while lighting fireworks..doin' blow." - Bill Z
"I leave off the back plate and pinch my forskin between the tension springs. That may not work for everyone. But I find that the people love it. Half the tone is in the pud." - Bill Z
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Just got a couple more progress pics! Its starting to look like something.
I am loving the matching headstock"I have so much gayness at times. My wife walks in my music room, and there I am, in my undies, listening to "Sister Christian" while lighting fireworks..doin' blow." - Bill Z
"I leave off the back plate and pinch my forskin between the tension springs. That may not work for everyone. But I find that the people love it. Half the tone is in the pud." - Bill Z
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Bridge hum with a single in the neck. Too much grain to hide with another hum but give yourself some tone variation. Koa=tone. I like ebony boards with wild grained koa and jesus thats a fu*kin piece of koa. I'm still looking at the bridge. Very different. Not sure about it. I'd do something subtley different for fretboard inlay, water drops or something geometricaly tapered to the bottom side to go with all that natural ,crazy ass wood grain. I'd do a volume and a tone, especially with a Bare Knuckle hum. Paper and oil cap , the tones are endless. BKP pickups respond so well to a correctly applied tone setup. Miracle Man hum, Irish Tour single. Black hardware would look right, I also agree. It would be hard to mess any set up with that wood, awesome! Thanks for sharing your project!
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Originally posted by axmann View PostActually ,the more I look at it, the rosewood color flows nicely into that center body grain. I'm taking back the ebony. NICE! I've got a evil piece of Padauk awaiting the same treatment."I have so much gayness at times. My wife walks in my music room, and there I am, in my undies, listening to "Sister Christian" while lighting fireworks..doin' blow." - Bill Z
"I leave off the back plate and pinch my forskin between the tension springs. That may not work for everyone. But I find that the people love it. Half the tone is in the pud." - Bill Z
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You have a stellar bunch of wood there. I think Koa has incredible tonal properties. You have a piece with very, very outstanding growth patterns. Highly figured wood can be a bitch to work with, because its an abnormality in the growth of the tree usauly causing massive stress which makes for lots of voids, dry and hard spots, cracking and such. Yours is choice, solid, and looks gorgeous. Your headed in the right direction. Can't wait to see it as it evolves. I like the Tune-o-matic idea with string through. It will look really clean and not hide that outrageous grain. Also it will force the strings to use the body wood for resonance. The Spread of the strings behind the bridge, going down through the body also will give it a nice look. SWEET!
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