I never understood why Fender's Heavy Metal Strat models never really caught on?? They are excellent players and sound good too.. I Love my current '88 model and I recall the one I had around 10 years ago was awesome too..
It's a very comfortable neck, reminiscent of a raw San Dimas Charvel or USA Jackson neck of the 80's. Super high output "Super 3" Dimarzio in the bridge and 2 USA Fender single coils round out a balanced plethora of tone..
I know Kahler gets a bad rap but the Spyder is a very functional tremolo.. It's gaudy, but it functions well.
I like the weight of the basswood body too.. My strat weighs in at 7.2 pounds.. Much lighter then my USA Jackson strat and most shredders I play.
One can argue the lack of color selection and limited publicity attributed to the lack of popularity and low sales overall. Fender's PR department dropped the ball on these.
The fact of the matter is these axes were mass produced at the Fuji Gen Gakki plant in Japan and that is a GOOD thing. (The ink stamp markings on the necks and bodies reveal Gen Gakki origin) You get Ibanez quality in a Strat package..
I gotta tell you, once i pick up my HM, I can't put it down.. All my Kramers are gone now and I don't miss any of them.. Same for my San Dimas Charvels with the exception of my reverse S-Head employee project.. The HM does it all and I have no need for a hoard of axes any more.
It's a very comfortable neck, reminiscent of a raw San Dimas Charvel or USA Jackson neck of the 80's. Super high output "Super 3" Dimarzio in the bridge and 2 USA Fender single coils round out a balanced plethora of tone..
I know Kahler gets a bad rap but the Spyder is a very functional tremolo.. It's gaudy, but it functions well.
I like the weight of the basswood body too.. My strat weighs in at 7.2 pounds.. Much lighter then my USA Jackson strat and most shredders I play.
One can argue the lack of color selection and limited publicity attributed to the lack of popularity and low sales overall. Fender's PR department dropped the ball on these.
The fact of the matter is these axes were mass produced at the Fuji Gen Gakki plant in Japan and that is a GOOD thing. (The ink stamp markings on the necks and bodies reveal Gen Gakki origin) You get Ibanez quality in a Strat package..
I gotta tell you, once i pick up my HM, I can't put it down.. All my Kramers are gone now and I don't miss any of them.. Same for my San Dimas Charvels with the exception of my reverse S-Head employee project.. The HM does it all and I have no need for a hoard of axes any more.
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