So I bit the bullet and ordered one of these things just because the simplicity and versatility of the thing vs. the VG-8/88 which has more features but is considerably more complicated and cumbersome.
I wasn't initially impressed with the Variax when they first came out. Mine came yesterday and I have to say I'm leaning the other direction now. Here are my first impressions now that I have one.
First, the guitar:
It's made in Korea. The neck shape is comfortable with a nice satin finish. Good tuners. Nice hardtail bridge made by LR Baggs (wish it had a whammy). I got a black one - the only choices are ugly black, uglier red, and really ugly tobacco burst. The guitar finish is nice and smooth. The pickguard was cut poorly - it has a couple indentations along the edge. The nut was not cut very well - a couple strings bound up while tuning. Two minor nits - it's a well made guitar.
Next, the models:
</font><ul type="square">[*]<font size="2" face="Verdana, Helvetica, sans-serif">Teles: ok, it doesn't sound like the Tele I compared it to. however, it does sound like a Tele. There is no mistaking it.</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Strat: see Tele</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Les Pauls: these are pretty darn good - glad they included P-90 models as well</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Misc Gibsons: Firebird, LP Jr/Special - they sounded good - I don't know if they sound like what they're supposed to though since I don't have a reference instrument</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Gretsch 6120/Silver Jet - again I don't have a 6120 to compare to, I used to have a Silver Jet and this comes really close. You definitely can get some decent rockabilly tones here</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Semi hollows - they all sounded good and about what I figured they should</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Jazz boxes - a couple of these were really good - the others were fine as well</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Rics - eh. But then that is what I'd say about a real one too. The 12-string was weak.</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Acoustics - the 6-strings sounded very good, they wouldn't make you sell your Martin but it sounded as good as most piezo rigs. The 12-strings are really bad - the pitch tracking isn't very good.</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">resonators - they sounded cool to me. The sitar is fun. I don't think the banjo is fooling anyone.</font>[/list]<font size="2" face="Verdana, Helvetica, sans-serif">So far, I'm happy. I'm taking it to a jam gig tonight so we'll see how it holds its own.
I wasn't initially impressed with the Variax when they first came out. Mine came yesterday and I have to say I'm leaning the other direction now. Here are my first impressions now that I have one.
First, the guitar:
It's made in Korea. The neck shape is comfortable with a nice satin finish. Good tuners. Nice hardtail bridge made by LR Baggs (wish it had a whammy). I got a black one - the only choices are ugly black, uglier red, and really ugly tobacco burst. The guitar finish is nice and smooth. The pickguard was cut poorly - it has a couple indentations along the edge. The nut was not cut very well - a couple strings bound up while tuning. Two minor nits - it's a well made guitar.
Next, the models:
</font><ul type="square">[*]<font size="2" face="Verdana, Helvetica, sans-serif">Teles: ok, it doesn't sound like the Tele I compared it to. however, it does sound like a Tele. There is no mistaking it.</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Strat: see Tele</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Les Pauls: these are pretty darn good - glad they included P-90 models as well</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Misc Gibsons: Firebird, LP Jr/Special - they sounded good - I don't know if they sound like what they're supposed to though since I don't have a reference instrument</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Gretsch 6120/Silver Jet - again I don't have a 6120 to compare to, I used to have a Silver Jet and this comes really close. You definitely can get some decent rockabilly tones here</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Semi hollows - they all sounded good and about what I figured they should</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Jazz boxes - a couple of these were really good - the others were fine as well</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Rics - eh. But then that is what I'd say about a real one too. The 12-string was weak.</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">Acoustics - the 6-strings sounded very good, they wouldn't make you sell your Martin but it sounded as good as most piezo rigs. The 12-strings are really bad - the pitch tracking isn't very good.</font>[*]<font size="2" face="Verdana, Helvetica, sans-serif">resonators - they sounded cool to me. The sitar is fun. I don't think the banjo is fooling anyone.</font>[/list]<font size="2" face="Verdana, Helvetica, sans-serif">So far, I'm happy. I'm taking it to a jam gig tonight so we'll see how it holds its own.
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