This post is sort of inspired by my "Discovery" of Peavey's new V-Type.
When I saw the specs of this guitar, the pictures,.. I was really impressed. When I found out it was Korean, my first reaction was "ugh"
Then I started to think of the Korean Guitars I own, and WHY I own them. A Dean '79 series Z, Washburn Culprit, Kramer FR404S/D.
I was initialy attracted to these guitars by price/looks and good feedback from users. Since owning them, setting them up properly, sometimes replacing hardware or pups, I have ended up with fine playing guitars, guitars that compete well with my most expensive.
At the same time, I've picked up many lifeless, un-inspiring LTDs, Sammick and other Korean brands that truely re-enforce the negative image Korean guitars have.
When I look at Peavey's re-designed V-Type.. I want to hope for the best, construction that appears on the surface to belong on even US guitars.. full binding, abalone, tastefull shape.
This is the "Fanciest" Korean guitar I've ever seen. Is this the future?
Is the Korean guitar comming into it's own? Have lessons been learned, can Korea eventually gain the reputation of at least Japan?
Or are my experiences isolated, I enjoy 3 fine -playing, good looking quality imports from Korea.. Did I luck out? Will I find more????
More importantly, if Peavey can do this, will Jackson? will I see abalone inlays? or some other natural shell?, Why can't the SL3 be built like a
V-type?
These questions I ponder as I wait for my new V-type.
When I saw the specs of this guitar, the pictures,.. I was really impressed. When I found out it was Korean, my first reaction was "ugh"
Then I started to think of the Korean Guitars I own, and WHY I own them. A Dean '79 series Z, Washburn Culprit, Kramer FR404S/D.
I was initialy attracted to these guitars by price/looks and good feedback from users. Since owning them, setting them up properly, sometimes replacing hardware or pups, I have ended up with fine playing guitars, guitars that compete well with my most expensive.
At the same time, I've picked up many lifeless, un-inspiring LTDs, Sammick and other Korean brands that truely re-enforce the negative image Korean guitars have.
When I look at Peavey's re-designed V-Type.. I want to hope for the best, construction that appears on the surface to belong on even US guitars.. full binding, abalone, tastefull shape.
This is the "Fanciest" Korean guitar I've ever seen. Is this the future?
Is the Korean guitar comming into it's own? Have lessons been learned, can Korea eventually gain the reputation of at least Japan?
Or are my experiences isolated, I enjoy 3 fine -playing, good looking quality imports from Korea.. Did I luck out? Will I find more????
More importantly, if Peavey can do this, will Jackson? will I see abalone inlays? or some other natural shell?, Why can't the SL3 be built like a
V-type?
These questions I ponder as I wait for my new V-type.
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