If this is your first visit, be sure to
check out the FAQ by clicking the
link above. You may have to register
before you can post: click the register link above to proceed. To start viewing messages,
select the forum that you want to visit from the selection below.
Either .52 or .54. Most .09 sets I see have .54 as the low-B (such as D'Addario). I would probably tend toward .52, as I like somewhat floppy strings, and I don't use a heavy string-attack.
Right now, I'm using the last of a couple of packs of this weird discontinued LaBella set that I managed to get at Washington Music Center: 09-11-14-22-30-38-53. From now on, I'm going to order those string gauges on an individual basis, except for the low B--you just CANNOT get .53 strings anywhere. The wound strings all seem to be even-number gauges only. So I'll probably drop down to a .52, unless that's just too floppy--I tune down a half-step, so it could be possible.
When I got my 7, it had 9-42 on it with a 56 for the B. I changed them to 10-46 and kept the 56 and thought it was perfect in either standard or a half-step flat. I don't think I could go any lower than a 56 for the B string.
I feel my soul go cold... only the dead are smiling.
Originally posted by GiantBaba: I have one 7-string;
Conklin GTG-7 (Groove Tools Guitar)
Hardtail (Strat-style string-thru)
Cherry wood body, 5 pc. Maple/Purpleheart neck
Rosewood fretboard w/ offset inlays
Bolt-on (Awesome heel!)
Push-pull coil-tap
Black finish
Made in Korea
Paid only $200 USD (Pawn shops, gotta love 'em)
I use it almost exclusively for "metal", or my dabblings therein. It's tuned 1/2 step down, and right now it has a custom set of 9-60 gauge strings installed. It sounds good to my ears, but I don't have the best rig in the world, just a little Peavey practice amp. I almost always use the Conklin dry, straight through, it just doesn't sound right thru my DigiTech RP200. My complaints; The tuners suck, and the pickups are somewhat muddy sounding. I'm going to replace them eventually.
<font size="2" face="Verdana, Helvetica, sans-serif">Those are very cool looking and I've thought about getting one. I inquired about them at Conklin's site, and Bill Conklin wrote me back saying that even though they're made in Korea, they're made to his specs. Seems like a very nice guitar for the money! [img]images/icons/smile.gif[/img]
I feel my soul go cold... only the dead are smiling.
Yeah, for the money, the Conklin's a spectacular deal. I wouldn't feel ripped off even if I had paid the 700 USD retail price. It has a great neck, too. I'd call it a thin, soft "C" shape, not too wide, but still comfortable string spacing. If you can find one for a good price, I'd highly recommend them. Better than an Ibanez any day (well, the Ibanez's I played, at least. An AX7221 and a UV777BK. I didn't plug either of them in, though. I still want a UV one day [img]images/icons/grin.gif[/img] ).
Maple neck thru
Alder body wings
Ebony fretboard
Dunlop 6100 jumbo frets
MOP block inlays
Carvin C26 pickups
Licensed Floyd 7 trem w lock nut
1 volume, 1 tone, 3 way toggle, 2 coil splits
Pearl white with matching headstock
Gold hardware
Sperzel tuners
I also own a Schecter V7.
Black
Maple bolt on neck
Basswood body
2 humbuckers
3 way slide switch
1 volume, 1 tone
Licensed Floyd 7 trem with lock nut
Grover tuners
Black hardware
Diamond inlays
Jumbo frets
Hey, how are those Carvin pickups? I thought about getting a Carvin 7-string, but I've always preferred Duncan's pickups. I've also heard that Carvin guitars do not accept aftermarket pickups without a little work. Is this true as well?
Originally posted by Travis: Hey, how are those Carvin pickups? I thought about getting a Carvin 7-string, but I've always preferred Duncan's pickups. I've also heard that Carvin guitars do not accept aftermarket pickups without a little work. Is this true as well?
<font size="2" face="Verdana, Helvetica, sans-serif">The C26 pickups have a nice tone. But, I do feel thier output is a little on the weak side. I'm hoping they eventually come with a C22b version of the C26. Otherwise the clarity and tone of the pickup is fine. Just not enough umph. I notice a level difference when switching from My '89 DC127 (M22n and M22sd pickups) to my Dc727.
The 6 strings are fine for switching pickups. You may need a new bezel for around the pickup is all.
The 7 string cavity is slightly smaller than a normal 7 string pickup route.
Most have said they just needed to trim down the ears and maybe a touch of the base of thier aftermarket pickups to get them to fit. Most said it wasnt that big of a hassle.
Only pickups that I've heard requiring a rerouting of the pickup cavity are EMGs.
I kinda want a UV777 with a black pickguard with a EMG 81-7 in the bridge as only pick-up, just like Troy from Ventt/Lesser Known God had.. anyone have a pic of his?
My opinion of the Carvin C26 pickups is 100% different. I like them so much I actually use them as replacements in my Schecter. The only 2 seven string pickups I like as much are the EMG 707 and the Duncan Invader 7.
Originally posted by jgcable: My opinion of the Carvin C26 pickups is 100% different. I like them so much I actually use them as replacements in my Schecter. The only 2 seven string pickups I like as much are the EMG 707 and the Duncan Invader 7.
<font size="2" face="Verdana, Helvetica, sans-serif">As I said. I like the tone of the C26. I just wish the output was a little hotter.
I agree they blow away the Duncan Designs found in most Schecter diamond series guitars. The C26 definitely has more clarity than the DDs in my Schecter V7.
Wayniac, you STILL haven't pulled the trigger on that trade? Still undecided, or being lazy? [img]images/icons/smile.gif[/img]
As for the pickup discussion, I like the JB7 and the 707 - although the Washburn I just got has a Duncan Distortion in it, and it sounds very nice with the Mahogany body.
In fact, the whole guitar is damn nice - sounds good, plays well, excellent fretwork, too. The neck needs a turn, though - it's got too much relief in it. The combination of the all-maple neck and the mahogany body with the 24.75 scale gives the low B some really cool harmonics...
Mike
Division - American Metal that doesn't suck. Much. Even on Facebook.
Comment