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The love of your life.

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  • The love of your life.

    Let's talk about that single guitar that means the most to you, the treasured one, the one that you wouldn't borrow to anybody not even if they offered you a thousand bucks.

    In my case that honor goes to "The Veteran" which is a 1989 Squier Stratocaster in Lipstick red.


    I bought this guitar new on my fifteenth' birthday back in 1991 to replace a cheap Telecaster copy with an Yngwie Malmsteen approved scalloped neck, the damn thing just wouldn't stay in tune. I knew I wanted a strat and I had saved up enough money to buy myself a Squier, the shop from which I bought it carried Squiers in Black and in white, only one example came in red and I bought it. This particullar shade of Red was apparently a rare color for squier because I haven't seen another one since. The Squier became my main guitar as I started gigging with it almost the day after I got it.

    Later as I entered my final teen years and passed the 20 mark in age I began to experiment with the guitar, it became all covered up in stickers and I eventually began replacing the stock single coils for something more powerful, putting in several Humbuckers in the bridge position before settling on a Dimarzio DLX soapbar pickup, leaving the empty holes where the neck and middle pickup sat vacant. And I replaced the original neck (I never really liked the profile of that neck anyway) with a Telecaster neck and to keep the sweetheart in tune I installed a Kahler vibrato. In that guise "The Veteran" survived for many years.


    Here I am playing "The Veteran" live. December 2004

    Last year I decided to clean "The Veteran" up, I removed all the stickers, replaced the pickguard and put the neck and middle pickups back in.


    But wear and tear began to rear their ugly heads and it became apparent that the old faithful was ready to retire. So I brought her back to strat hood by installing a 1985 Squier Strat neck, replacing the Dimarzio with a single coil and wiring it all up like a Strat is supposed to be wired. I did keep the Kahler vibrato, loving the smooth way it worked and the way it kept my guitar in tune.

    So as a tribute, I made a matching copy of "The Veteran" using the Dimarzio and a similar Kahler bridge. A playable snapshot of "The Veteran" as it looked with the tele neck. I routed the body myself it became a real labour of love, the resulting guitar got the nickname "The Rookie"


    But "The Rookie" didn't replace "The Veteran" as my main guitar as I intended it to do, my red Epiphone Les Paul did that.

    Just today, I came home and I noticed that "The veteran" was missing from the stand, suspecting my younger brother (Who also is my next door neighbour) who owns a key to my appartment, knew more of it, I decided to check things out ant his place, and sure enough, there it was. Before I walked out with "The Veteran" I told him:

    "Look, if you want to borrow a guitar please ask me first and second, you can borrow any guitar you want from me EXCEPT the red one, NOBODY but me touches that guitar, understood?"

  • #2
    Very cool.

    I think I liked it best during its "sticker" era. Lots of character.

    And I'm a sucker for the Maple boards.

    For me, its my 1992 Ibanez RG550.



    I had seen RG550's on the internet before, never in person. I thought they looked like the guitar for me, but I wasn't sure, and I didn't wanna hop into an ebay adventure.

    I really had wanted the obnoxious bright Desert Yellow one (which I now own). But. . .I walked into a local Guitar Store, and up on the wall, I saw something flash. . The light on the celing was reflected though a pickguard. I looked closely, and saw it high on the wall: The Lazer Blue RG550.

    I cant tell you how excited I was. It was similar to the scene in Wayne's World when he looks at the 60's strat. . . that slow zooming in, the dramatic music, "Excalibur!" ect.

    I got somebody to get it off the wall, and into my hands. It fit. Thats the best way to describe the feeling, it was perfect. $400 is what they wanted. I didn't have $100, so I was gutted when they put it back on the wall. It was love at first sight, and all that jazz.

    Somehow I managed to scrape up the $400, and as soon as I had the last chunk of cash I needed, I scurried back to the store, and it was still there. Needless to say, it came home with me. Pure Extasy.

    Now, it has DiMarzios all around, a DiMarzio clipstrap, and some stickers. I have some other RG550s, which are also very cool, but this one is definately special.

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    • #3
      My Martin D12-35 purchased new in 1970 when I was in high school. It's with me forever My Dad surprised me at a music store visit. He finally got me to shut up. All I did was talk about getting a Martin at the dinner table every night for like a year.
      Tone is like Art: Your opinion is valid. Listen, learn, have fun, draw your own conclusions.

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      • #4
        I am not attached to any of my guitars. They are all wood and strings to me. I do prefer mutts though.
        Amps... well.. thats a different story.

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        • #5
          I´ve sold all my "early" guitars... I guess I´m not so sentimental that way. They didn´t cut it when I started buying more high-end guitars, so off they went. But man, I put some hours into my two first electrics... a black Fenix strat and a bright red Yamaha RGX120.

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          • #6
            Originally posted by jgcable View Post
            I am not attached to any of my guitars. They are all wood and strings to me.
            I pretty much agree, as everything has its price, but this one would be the last to go:

            Last edited by neilli; 10-13-2006, 03:54 PM.
            Popular is not the same as good
            Rare is not the same as valuable
            Worth is what someone will pay, not what you want to get

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            • #7
              Forgot to mention the love of my life... my PCS Collen. http://www.jcfonline.com/gallery/jac...PCS0054_1a.jpg

              It´s a crappy pic, and I´m too stupid to post the actual pic... but there it is.

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              • #8
                My beloved '87 "American Series" Baretta. Yes, I know, it's an ESP...
                Bought her for not very much, back in the mid 90's when pointy headstocks and Floyds were feared and shunned by the flannel-shirted hordes. Beat to hell, been (badly) refinished at least once by previous owners, and the laquer has fallen off in random locations on the fretboard. Currently sporting a DiMarzio Tone Zone and a funky purple cliplock strap. Not the most powerful or versatile guitar that I own, but the one that I'll always pick up first.

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                • #9
                  I had a Baretta just like that one, with the maple board and everything. It was great, and I don´t really know why I sold it... probably had something to do with the one hum set-up, though. I´m lost without a neck singlecoil.

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                  • #10
                    This one. Forget it. Never for sale. Neck is hand made and they told me even if I wanted another one they could come close but never be exact.
                    The sound and feel of this are better than any guitar I have ever played period.

                    PLAY TILL U DIE !!!

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                    • #11
                      Jesus, man... that´s one spectacular piece. Some sort of modified Demon, body-wise?

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                      • #12
                        Originally posted by Dave L View Post
                        Jesus, man... that´s one spectacular piece. Some sort of modified Demon, body-wise?
                        Its a reverse body style. Long story but the the cut outs are very good on the horns so I can get all the way up to the 24th fret. The neck is friggen spectacular - think of a PC1 neck but thinner and a little flatter in the back. Its awesome!

                        The notes just swell with sustain- you can even hear it accoustically. I compared it to a Jackson Warrior (w/ Bill Lawrence 500 XL in the neck and 450 in bridge) that I have and this sustains just as good in the bridge position and way better in the neck position.

                        I was only hoping it would sound as good as my PC1 but it is way better - more focused, more sustain and cuts through the mix better. Although I don't take it out much. I was just shocked at how good it sounded because I never expected it to be quite as good as my PC1.
                        PLAY TILL U DIE !!!

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                        • #13
                          I have 2.
                          My '89 Jackson RR Custom. It'll never be sold, and it'll never get played by anyone else. You gotta be a GOOD friend to even hold the damn thing. It's my #1 guitar, and prolly always will be (unless I get another custom shop guitar made)


                          #2 is an Ibanez Double Edge Prestige RG2127X-TKF. This particular guitar was not available in the U.S. and I had to import it from Japan (Ishibashi), hence it's nickname, "The Japanez". The U.S. counterpart had a vintage violin finish... which isn't very metal. This one is called transparent flat black and is awesome. It's a 7-string with a double-edge trem (i.e piezos). I came across this thing, and in getting it, met my first girlfriend (who translated the website from Japanese for me, and helped me get it from Japan). Even though she broke up with me, she'll always be my first love, and therefore it has a special place in my heart. Not to mention I've never seen another one of these in person (just one on Ebay, in bad shape), so it's 'rarity' is pretty nice too. I just wish it had an ebony board with sharktooth inlays.

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                          • #14
                            For now



                            up until i find a nice 2 hum model series charvel

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                            • #15
                              actually it looks quite red in that picture is more darker in person - a bit more firey

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