First Fender with the Relics and their beat up faux finish. Then Fender with their unplayable mini frets and their ridiculous 7" radius.
The Gibson got into the act. NThey got it right the first time when they reissued brand spanking new historics that looked, well, like brand spanking new guitars, longer tenons, beautiful.
Then they went to this VOS crap that dulled the guitars and tarnished the metal, and alongside that came crappy inlay jobs and peeling.
Jackson/Charvel decided to follow suit with Grover Jackson memorials (no surprise there since the co. is owned by Fender). Why they insist on creating beautiful Charvies with brass bridges is beyond me. I look at great Charvels and wish they had other bridges, don't even need to be Floyds.
OK, now, the reason I'm really writing: I went out of my way to find a good Fender Vintage Hot 62 model because I knew it had jumbo frets and a decent radius and yet was built out in the same manner they make the Customs. I couldn't be happier with this guitar, in my book it's the best of Fender these days. Well, my logo started bubbling and peeling off, and wouldn't you know it, Fender wanted to produce a period specific guitar (with jumbo frets???) to reproduce the look of Strats from back in the day when they used to put a sticker on the headstock without laquering over it.
What a joke. I don't need a sticker on my headstock to convince me it's an authentic '62. I already realize it's a replica. I don't need you to reproduce the shoddy ideas of half a century ago.
No more mini-frets, no more round radii, no more sticker logos!
The Gibson got into the act. NThey got it right the first time when they reissued brand spanking new historics that looked, well, like brand spanking new guitars, longer tenons, beautiful.
Then they went to this VOS crap that dulled the guitars and tarnished the metal, and alongside that came crappy inlay jobs and peeling.
Jackson/Charvel decided to follow suit with Grover Jackson memorials (no surprise there since the co. is owned by Fender). Why they insist on creating beautiful Charvies with brass bridges is beyond me. I look at great Charvels and wish they had other bridges, don't even need to be Floyds.
OK, now, the reason I'm really writing: I went out of my way to find a good Fender Vintage Hot 62 model because I knew it had jumbo frets and a decent radius and yet was built out in the same manner they make the Customs. I couldn't be happier with this guitar, in my book it's the best of Fender these days. Well, my logo started bubbling and peeling off, and wouldn't you know it, Fender wanted to produce a period specific guitar (with jumbo frets???) to reproduce the look of Strats from back in the day when they used to put a sticker on the headstock without laquering over it.
What a joke. I don't need a sticker on my headstock to convince me it's an authentic '62. I already realize it's a replica. I don't need you to reproduce the shoddy ideas of half a century ago.
No more mini-frets, no more round radii, no more sticker logos!
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