I recently got a gibson les paul classic in black. Nice guitar, I'm getting used to it per my other topic, but it feedsback pretty much anytime I'm within a few feet of my amp. Low volumes too. It is "weight relieved" so maybe the chambers are acting like a hollwbody? Anyone else experience this? No problems with my PC1 so I would hope since this is of the same quality (in theory) I shouldn't expect less.
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Originally posted by CharvelRocker View PostKnowing Gibson, the pickups are probably microphonic. Do they have a lot of wax on them? Also make sure they actually soldered the covers on...
Gibson 496R/500T come wax potted.
They don't come with covers.
My Classic plays perfectly fine in front of a DSL100 1/2 stack and sounds fricken awesome.
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+1..check the pups and make sure they're waxed.The Guitars:
Jackson USA SL2H, Jackson Performer PS-4, Gibson Les Paul Studio Gothic, Ibanez JS-1000, B.C. Rich Mockingbird ST, Martin GPCPA5 Acoustic, 14 Warmoth customs, Ibanez Artcore AS73, Ibanez Prestige SR1000EFM Bass
The Amps:
Peavey JSX 212 with JSX 412 cabinet, Ampeg B2R with Ampeg Portaflex PF210HE cabinet
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D'oh! Thought he meant a Deluxe. Confused the two for some reason. No they do nto come with covers. My Flying V with the 500T setup was mildy microphonic and had no wax on them that I could see. Still sounded good, but you could tell it could of been done a little bit better. I also agree with chrisolson. I played a Classic (the one with 1960 on the pickguard right?) and they didn't do a lot for the guitar. Bland in terms of tone.
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Originally posted by chrisolson View PostYou are correct, sir! They were hot, but otherwise blah. No character at all.Originally posted by CharvelRocker View PostBland in terms of tone.
I will say that my 496R/500T pair are a VERY old pair, before they stamped Gibson USA on the backplate (mine have the PAT NO stamped on the backplate). Also, my 500T is normal spaced - all newer ones are F / Trem spaced.
Mine are both 4 wire. The tone controls can be pulled up to split the buckers into a very hot strat / tele kind of tone. All of my pots are CTS 550K, giving extra high end edge. .015 and .022 orange drop caps.
In humbucker mode through a very clean vintage Kalamazoo Model 12 tube amp (read NO DISTORTION at all), they give a GREAT AC/DC tone, loud and proud.
Through my Marshall Micro Stack, this rig nails Maiden to a T.
I have other Les Pauls for playing vintage stuff, but this is my hot metal Les Paul, and it does it wonderfully.
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I used to own a 1995 LP Classic. It had the stock 496R/500T pickups. Playing it through a Fender Twin or a Peavey Classic, it was undoubtably the hottest, most crunching tone monster in my collection.
I sold that guitar to a friend of mine who plays nothing but metal using Mesa, Marshall, and Splawn equipment. He too thinks it's the hottest pickup combination he's ever used.Last edited by SEEGERMANY; 05-26-2008, 01:53 PM."POOP"
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I had 57 classics in mine..those ruled!"Bill, Smoke a Bowl and Crank Van Halen I, Life is better when I do that"
Donnie Swanstrom 01/25/06..miss ya!
"Well, your friend would have Bell's Palsy, which is a facial paralysis, not "Balls Pelsy" like we're joking about here." Toejam's attempt at sensitivity.
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