I`m really into my new Super 3 that i had installed in my Strat but i`m not sure if i like it better set closer to the strings or lower. Closer to the strings gives me a brighter sound with more output and lower gives me less output but a more harmonically rich (not sure how to describe it)sound. I kind of compromised and set it in the middle but i was courious as to how the Super 3 uses in here set theres and for what reasons.
Announcement
Collapse
No announcement yet.
DiMarzio Super 3...closer or more away from strings?
Collapse
X
-
Originally posted by Spivonious View PostI think you'll see those characteristics with pretty much any pickup. I prefer brighter, higher-output on the bridge pickup, and more "harmonically rich" on the neck, so my bridge pickups are always a bit higher than the neck pickups.
i prefer my pickups lower, i like the overtones. & usually have enough gain and output on tap anyway with a pedal if needed.
Comment
-
I use my Super III's like Greg Howe, I raise the treble side and lower the bass side until it chunks nice and tight without mush. Works for meCharvel 7308 (TMZ 008), Charvel Pro-mod (yellow), Jackson Soloist Custom (Yellow), Jackson SL2H-V Natural, Gibson LPS DB, Gibson LPS EB, Gibson LPCC C, Charvel Model 2 (scalloped), Jackson DK2M (white), Charvel Journeyman, Fender Classic Player 60's strat, Carvin C66, Musikraft strat mutt, Warmoth Strat mutt, Fender MIM Jazz bass, Epiphone Classical, Takamine parlor. Marshall 2203, Marshall JVM 210H, Splawn Nitro, Fender Supersonic 22, Line 6 AX2 212, Marshall 4X12.
Comment
Comment