Originally posted by moku
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Plywood Charvette
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Originally posted by 84sups View PostI had a plywood kramer once that actually sounded good.I feel my soul go cold... only the dead are smiling.
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Originally posted by toejam View PostSo did I. It was a 600ST. I put a real Floyd on it, instead of the crappy single-locking Floyd II, and a DiMarzio X2N, and I used that thing for many years until the Floyd posts started to tilt forward.
I think the thing with the plywood sound is to do with the grain and density of the wood. When you get a guitar you hope that the body pieces are of similar density and grain and that their grain is all parallel. That way you hope to get an equal reasonance throughout the body. Problem with plywood is that the grain is switching every few mm's, with a load of higher density glue in between the varying density of the ply sheets. By nature ply usually has a lot of crappy bits in it anyway, like knots etc. Unless we are talking premium quality Swedish Wisa board. So the prospects for decent reasonance don't seem good.
Plywood is kind of like a cast bell that has been cooled too quickly, the structure of the metal is all over the place, meaning that when you ring it, it just sounds tone dead. Whereas one that has been cooled more slowly has a uniform metal structure and sings like an angel.
However like said, if the glue is put on thick enough and it penetrates the ply, and the ply is half decent, the reasonance could sound be a lot better and could even be good. I wuld stick with it, you can always swap out the body in the future if it's shite.
Anyway all this is irrelevant if you are using a recessed floyd and light strings in the first place.
BTW, I have a big knot in my USA san dimas slime green body. You can see it when you hold it up to the light.You can't really be jealous of something you can't fathom.
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Originally posted by ginsambo View PostThey do that in Basswood too. My Stealth LT posts are two times wider than they should be, complete write off.I feel my soul go cold... only the dead are smiling.
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Originally posted by Axegrinder87 View PostWhy is that?
Why not just get a KNE SD body or a Musikraft one and start with that? You can get an Alder body for $110 and an ash one for $120 or so. Yeah it will need paint, but why not practice on your Charvette? Bare in mind these bodies are better than mid range procduction guitars and equal custom quality. Of course you start building a guitar and pay ten times over the odds in installments of a production guitar you soon learn why. The production guitars have a budget to stick to. You can always seal it, prime it to perfection and then get a bodyshop to run an acrylic base coat over it and laquer it with 2k poly with an HVLP gun. Although you can get pre cat 2k in a can now. Just very hard to get decent coverage.
Even $500 for a painted bloodspatter San Dimas style is only $500 by Musikrafts' affiliate co. That's only $1.36 a day.
All in all, I think when you weigh it up, all I'm probably trying say is that you can't polish a turd and its probably wise to get another body as a starting point unless you are confident that the body is OK. But if its only a question of hardware, build it and swap out another body in the future. Hardware, paint and a decent neck are the where the money is at.You can't really be jealous of something you can't fathom.
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Well I can say, as I just installed a brass L block in my RR5FR, along with 5 springs and 10-60 strings, there's plenty of energy and sustain
As far as the body goes, now that I know it's a short scale, it'll never get built. Think I'll just keep my eye out for a DK2 body in the future."Today, I shat a brown monolith ..majestic enough for gods to stand upon" BillZ aka horns666
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