Take this:
Plus this:
Plus this:
And you have the Jackson Frankenfusion Pro:
That's right, it's the mahogany body from a Fusion HH, and the neck and trem from a Fusion Pro, with the electronics replaced by a set of Duncan Blackouts. It's a freakin' amazing shredder, too. The ebony board on the Pro neck adds a substantial amount of bite to what the HH had originally. The stock HH pickups weren't bad actually, but I record in a crappy old apartment with bad wiring, so I need the quietness that the Blackouts provide. I pulled the trigger on eBay on a set of metal back plates for this guitar, but they haven't arrived yet. This is the Fusion that Jackson never made, but should have.
I'm going to do something interesting with the other neck/body combo, but I haven't decided what it will be. I've already got another Schaller trem for it. The Pro body has all kinds of finish gouges on it, so either a refinish or some further distress + funky coloration might be in order.
Plus this:
Plus this:
And you have the Jackson Frankenfusion Pro:
That's right, it's the mahogany body from a Fusion HH, and the neck and trem from a Fusion Pro, with the electronics replaced by a set of Duncan Blackouts. It's a freakin' amazing shredder, too. The ebony board on the Pro neck adds a substantial amount of bite to what the HH had originally. The stock HH pickups weren't bad actually, but I record in a crappy old apartment with bad wiring, so I need the quietness that the Blackouts provide. I pulled the trigger on eBay on a set of metal back plates for this guitar, but they haven't arrived yet. This is the Fusion that Jackson never made, but should have.
I'm going to do something interesting with the other neck/body combo, but I haven't decided what it will be. I've already got another Schaller trem for it. The Pro body has all kinds of finish gouges on it, so either a refinish or some further distress + funky coloration might be in order.
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