and sent it right back!!
Jeez, if this is what a modern USA Jackson is we've got problems. Fit and finish were all over the map on this thing. The paint is gorgeous but poorly done in places. I even saw some white wood filler peaking out at me near the neck body junction as well as some tooling marks. Inlays were excellent and very beautiful but binding was a mess with gaps you could feel and see. Wood quality was questionable...I know what quartersawn maple is, I know what it looks like. This was borderline QS, within 1%. Look at it funny and you'd call it flatsawn. The headstock absolutely was NOT QS by any definition. The ebony fingerboard was smooth and shiny except for the first position where it looked to be sanded with 220 and left that way. It did not match the sheen of the other positions.
We all know a Scott Ian is 3/8th inch bigger all the way round. So guess what Jackson? IT DOESN'T FIT IN A NORMAL SOLOIST CASE. So don't jam it in there sideways like you did with this one.
Did I hear some ghost notes? Why,yes I did. High e string above the 12th fret w/ distortion was unuseable on the a flat and b flat notes. Sounded an octave lower and then dropped out of site immediately.
Out of several USA's I own this is the worst. Hopefully just a lemon.
I think the Scott Ian is a great design. I'd like to find a good one.
Jeez, if this is what a modern USA Jackson is we've got problems. Fit and finish were all over the map on this thing. The paint is gorgeous but poorly done in places. I even saw some white wood filler peaking out at me near the neck body junction as well as some tooling marks. Inlays were excellent and very beautiful but binding was a mess with gaps you could feel and see. Wood quality was questionable...I know what quartersawn maple is, I know what it looks like. This was borderline QS, within 1%. Look at it funny and you'd call it flatsawn. The headstock absolutely was NOT QS by any definition. The ebony fingerboard was smooth and shiny except for the first position where it looked to be sanded with 220 and left that way. It did not match the sheen of the other positions.
We all know a Scott Ian is 3/8th inch bigger all the way round. So guess what Jackson? IT DOESN'T FIT IN A NORMAL SOLOIST CASE. So don't jam it in there sideways like you did with this one.
Did I hear some ghost notes? Why,yes I did. High e string above the 12th fret w/ distortion was unuseable on the a flat and b flat notes. Sounded an octave lower and then dropped out of site immediately.
Out of several USA's I own this is the worst. Hopefully just a lemon.
I think the Scott Ian is a great design. I'd like to find a good one.
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