Maybe the oddball here, but I prefer Ontario all day and twice on Sunday. The pinnacle of Jackson quality and prestige IMO.
Announcement
Collapse
No announcement yet.
San Dimas vs Ontario
Collapse
X
-
-
Originally posted by Catharpin View PostBinding over frets is my favorite feature from SD but I have so many nice Ontario pieces that I have no bias. Both eras have gems.The 2nd Amendment: America's Original Homeland Defense.
Comment
-
Originally posted by bombtek View PostJ80, J90, and J95 are my favorites
J50 is AWESOME when used in conjunction with the Jackson active circuitry (nomenclature escapes me), but does sound thin without it.
It does seem as if Jackson designed the J50 to be quite thin and bright with no boost. But when using about 25-50% boost for crunch and 50-75% it is one of my favorite lead pickups ever for old school '80s metal! It's a little soft on the bottom for really aggressive crunch, but fine for less extreme metal rhythm playing.
I like the J90C quite a bit also, although has anyone ever compared it to the J50M? That was Jackson's distortion class pickup designed as an upgrade from the J50BC. I thought my Soloist had it as the J50 in that guitar sounds more aggressive than the one in the Charvel, but I confirmed that they are the same.Last edited by Black Shadow; 08-29-2017, 07:50 PM.'95 Charvel San Dimas USA Model I Koa - BKP
'91 Charvel 650 Custom - EMG 85/SLV/SLV+SPC
'92 Jackson Soloist Pro MIJ
'91 Charvel 475 Exotic Cherry Sunburst - Duncan PATB set
'90 Charvel 475 XL
'10 Charvel San Dimas MIJ Style 1 2H - JB/'59
Mesa Boogie Quad Preamp/Stereo Simul-Class 2:90
Mesa Boogie MkIII+ Simul-Class & MkIVb with Mark Series stack
Marshall JVM410H
Comment
-
I always thought the J50 was alnico and often used with the JE1000... the J50bc was ceramic with the same winding, just a bit hotter output. I love the J50bc, it's like a slightly milder 81 but without the clipping/compression, similar to running it 18v...The 2nd Amendment: America's Original Homeland Defense.
Comment
Comment