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From what I can remember, the Shannon Soloist had a poplar body, old-school neck heel, non-recessed trem (which requires the neck to tilt back more), binding nibs over the frets.
I feel my soul go cold... only the dead are smiling.
The Pearly Gates is a pretty weak pickup in the bridge BTW. It also wasn't Mike Shannon's choice either. But, that is indeed what the Shannon Soloist comes stock with from the factory.
I always wondered why they used the PG in those. They're a PAF-type based off of what was in Billy Gibbons' old Les Paul. They do sound nice, with a slight aggressive/rudeness in the high end.
I feel my soul go cold... only the dead are smiling.
I asked Mike Shannon at NAMM last year why they used the Pearly Gates and he said it wasn't his choice, Donnie Wade at the time wanted it because it was something different than the p/u in a standard Soloist
I think the Pearly Gates makes a nice neck p/u but just doesn't have enough oomph for a bridge pickup. I have two Shannons and one has had its PG replaced with a Dimarzio Super II which sounds much better.
The Pearly Gates is great for classic rock and blues, but doesn't really have the nuts needed for hard rock/metal...think vintage PAF style tone only brighter. They can also be very microphonic.
Actually, I was never a fan of the Jackson pickups either. Although I will say I liked them better than the Pearly Gates in the bridge. I use mostly the Duncan Screamin' Demon and for a higher output pickup Duncan Distortion.
I have different pickups in different guitars but these two are probably my favorites.
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