Mahogany Body And Neck, 24 Fret, Ebony Or Maple Fretboard, 25.5 Scale, X-jumbo Frets, Ofr, Emg 81/85 And A Big Enough Body To Cover My 6'4" 275lb Fatass!!
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I've also owned many axe's in my time. I've sold off all the one's that aren't "me", so to speak. I've come to realize that my favorite guitars are "superstrats". Preferably a neck thru (love the smooth heel) but can live with bolt on, single or 2 hum's (don't like single coils at all), 24 Jumbo's, recessed Floyd, Sperzel locking tuners (I know it's overkill/un-necessary with a locking nut, but it makes string changes so much easier IMO), 25.5" or 25" scale. I prefer a wild graphic or just a solid color rather than the flame/quilt tops. I prefer a toggle over a blade switch. Everything else I'm pretty flexible with (nut width, fingerboard wood, neck/body wood etc...)
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Originally posted by LastInLine View PostI've also owned many axe's in my time. I've sold off all the one's that aren't "me", so to speak. I've come to realize that my favorite guitars are "superstrats". Preferably a neck thru (love the smooth heel) but can live with bolt on, single or 2 hum's (don't like single coils at all), 24 Jumbo's, recessed Floyd, Sperzel locking tuners (I know it's overkill/un-necessary with a locking nut, but it makes string changes so much easier IMO), 25.5" or 25" scale. I prefer a wild graphic or just a solid color rather than the flame/quilt tops. I prefer a toggle over a blade switch. Everything else I'm pretty flexible with (nut width, fingerboard wood, neck/body wood etc...)
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My King V has a JB in the bridge paired with a SH1N in the neck, which is the same as what they are putting in the KV2T's now. That's a great tried-and-true versatile combination. Note that my wings are poplar, though (still very close to alder). Oh, and I'd bag the locking tuners unless you are going for that fast string change thing._________________________________________________
"Artists should be free to spend their days mastering their craft so that working people can toil away in a more beautiful world."
- Ken M
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my holy grail:
Body: Alder
Neck: Neck-Thru-Body Quartersawn Maple
Neck: Dimensions 3rd Fret: .775”, 12th Fret: .835”
Tuning Machines: Schaller M6
Inlays: Abalone Sharkfin
Fingerboard: Ebony (really dark and smooth)
No. of Frets: 24 Jumbo Frets (with fret #20-24 scalloped)
Bridge Pickup: DiMarzio Evo 2
Middle Pickup: none
Neck Pickup: DiMarzio AirNorton Neck
Controls: Master Volume,
NO master tone
Bridge: Floyd Rose® Original™ Double Locking 2-Point Tremolo (recessed)
Pickup Switching: 3-Position Blade
Hardware: Black Chrome
Pickguard None
Scale Length 25.5”
Width at Nut 1-11/16”
That'd be really coolLast edited by Mario8672; 12-29-2007, 05:22 PM.Jackson SL2H (nebula) '08
Gibson Les Paul Standard (ebony) '03
Marshall JCM800 50W + Marshall 2x12
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dream jackson:
RR or Warrior(or both!)
25.5 scale neck
24 frets
almost flat fretboard
shark inlays(MOP)
maple neck, maple body
Quilted maple top
see through black
Seymour Duncan Livewire active pups
Reverse pointy headstock
if not a quilted top then ghost flames...or some other awesome graphic
in 6 or 7 string(or both...or all 4!)
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BIG King V body (I'm 6'7", most guitars look small on me)
Mahogany body with a red flamed maple top
Unpainted 25.5" 24-fret maple neck
Black headstock
Ebony fretboard
White binding on neck and headstock
Diamond inlays
EMG 81/85, 2 volume, 1 tone, 3 way toggle
String-thru TOM bridge
Schaller locking tuners
I think that's everything
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Resurrecting a dead thread. See no reason to start another on this topic.
I've been thinking about this very topic for a bit now, as I've been into electric guitars for some time now. Seems like a good reason to revive the discussion. Though I'm not too well versed in guitar tech, I do have a little bit of an idea as to what I prefer.
I've not played any weird, if you will, body shaped guitars for extended periods of time. Though I may own a Warlock, I haven't played it much. I've always liked V's, since my biggest influence, Schenker plays one, but any I've tried just don't feel right. Mind you, they were Gibsons.
I guess I'm a traditionalist and as such, prefer single/double cutaway, hourglass shapes. The two axes I prefer to play in my arsenal are the old BC Rich Seagull and the Charvel Model 4; Both very different in execution.
I guess mine would be a hybrid of the two;
- thick carved and arched mahogany body{I'm open on various traditional shapes}
- satin finished maple neck with Strat headstock shape
- ebony fretboard with dragonhead inlays; A full dragon shooting flames from the 12th fret up to the end of the neck!{That'd be sweeeeeeeet!}
- neck through construction
- metallic candy apple red body and headstock with black binding
- neck dimensions and scale as the BC Rich
- stop tailpiece and bridge
- all back components
- two humbucker{Nothing too powerful. Want to hear the wood qualities}
- 4 knobs: 2 vol, 1 tone, 1 boost.{Boost like on the Charvel. Great for solos!}
- 3 toggles: 3 way on the top horn, 2 minis for coil tapping situated ala Model 4.
Needless to say; obviously outfitted with the best electronics, components and best woods. I do like the shapes of Warlocks and Mockingbirds though. Kind of traditional with a twist!
Hmmmmm.....I think I got something like this coming in the mail??!?!??
Cheers.
G.Last edited by GinSonic; 07-14-2008, 01:04 PM.
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Here are my preferred specs:
Double-locking floating trem
bridge humbucker
neck humbucker with coil tap
5-way blade
2 volumes, no tones
22 or 24 jumbo frets
rosewood or ebony fingerboard
bolt-on if the heel is contoured, neck-through otherwise
alder/poplar strat-shape body
pointy headstock (or really any headstock that's not strat/tele/gibson)
finish - quilted maple with a blueburst type finish.
Everything else is just icing on the cake.Last edited by Spivonious; 07-14-2008, 01:09 PM.Scott
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My dream Soloist
Body: Mahogany with Quilt Maple Top (Trans Red Color)
Neck: Neck-Thru-Body Quartersawn Maple
Neck: Dimensions 3rd Fret: .775”, 12th Fret: .835”
Tuning Machines: Sperzel Trim Lok
Inlays: Paua Red Sharkfin
Fingerboard: Bound Ebony
No. of Frets: 24 Dunlop 6110 frets
Bridge Pickup: Seymour Duncan Custom 5 Trembucker (TB-14)
Middle Pickup: none
Neck Pickup: Seymour Duncan Lil'59 (SL59N)
Controls: Master Volume, EMG PA2, Jackson JE-1200 Mid Boost
Bridge: Floyd Rose® Original™ Double Locking 2-Point Tremolo (recessed)
Pickup Switching: 3-Position Blade
Hardware: Black
Pickguard None
Scale Length 25.5”
Width at Nut 1-11/16” (R3 locking nut)1991 Jackson Soloist SL1 Don't Smoke
2006 Jackson Dinky DK2S Trans Black
1994 BC Rich Warlock USA 'Special Run Model by Bernardo C Rico'
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