Just to clarify...It's really the radius for me on the pauls that make it difficult and to a certain extent the heel. I guess I am just addicted to the compound radius. A well designed heel makes a difference in terms of access, I shouldn't have to change my grip that much because I am playing higher on the board. The neck heel on my soloist is non-existent, don't even have to think about it.
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www.JerryRobison.com
'84 RR, '06 Pablo Santana Soloist,'76 Gibson LP Custom 3 pup,'79 LP custom 2 pup,'82 Gibson XR-1,'89 BC Rich Namm proto, '07 Lauher custom, 86 & 87 model 6, Carol-Ann Amplifiers, Marshall amps, Keeley pedals....it's a long list. Check out my site.
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Originally posted by geofreesun View Posti have recently acquired a prs singlecut trem, a 10 top 20th anniversary version. basically it's a standard singlecut trem, and it totally changed my guitar playing experience... when i first played it, unplugged, i felt the huge resonance from the body, which never happened with my jacksons/ibanez/carvin... i simply felt my body shaking with that chunk of wood... plugged into my engl 530, just using the built-in 1.5w x 2 power amp, the tone is super thick and punchy, i doubt if i need to upgrade to a real power amp....
well, it made me think... i have owned a jackson sl1, an RR1T, sold both sometime ago, simply because i hear no clear superiority in tone compared to my cheap carvin dc127 (ebony board, split coil for both humbuckers, neck thru, all for 300 dollars)....it's like i can't justify the fact that i have to pay 1 grand for a jackson usa...
what's wrong here? don't get me wrong, i love jacksons, otherwise i wouldn't be here...'08 Jackson Custom Shop Soloist
'09 Jackson Custom Shop Soloist
'09 Fender Stratocaster American Deluxe Fatstrat
'12 Charvel ProMod SoCal Japan
'17 Gibson Les Paul Classic
'13 Gibson M-III
Taylor 214CE
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Morgan Ukulele
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Originally posted by J_A / 540s View PostI never understood the point of threads like this :ROTF:
To waste my employer's time with meaningless conversation...and to provide worthless answers to absolutely nothing....www.JerryRobison.com
'84 RR, '06 Pablo Santana Soloist,'76 Gibson LP Custom 3 pup,'79 LP custom 2 pup,'82 Gibson XR-1,'89 BC Rich Namm proto, '07 Lauher custom, 86 & 87 model 6, Carol-Ann Amplifiers, Marshall amps, Keeley pedals....it's a long list. Check out my site.
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Originally posted by geofreesun View Postwhat's wrong here? don't get me wrong, i love jacksons, otherwise i wouldn't be here...
What is the point to your post? If you like Jacksons, play them. If you don't like them don't play them. Play whatever guitar you like. Who cares?
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Originally posted by jtr View PostI've alway hated PRS neck joint.
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Originally posted by Partial @ Marshall View PostA well designed heel makes a difference in terms of access, I shouldn't have to change my grip that much because I am playing higher on the board. The neck heel on my soloist is non-existent, don't even have to think about it.
But your hand position is going to change anyway when you get up that high due to the angle of both the guitar and your arm in relation to the width of your body.
Even with a 2x4 with strings that has no change in shape from nut to butt, the only way your hand is not going to change position is if you mounted it on a rail and moved the guitar closer and farther.
And is it that much of a burden to change your hand position?
Really, I still don't get it. Is it laziness or a lack of skill?
It has to be one or the other, or it's Obsessive Compulsive Disorder: "Wehh I have to change from my current fingering position to reach these notes! Oh NOES! The world is going to end!"
Seriously, someone explain it to me.I want to depart this world the same way I arrived; screaming and covered in someone else's blood
The most human thing we can do is comfort the afflicted and afflict the comfortable.
My Blog: http://newcenstein.com
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Originally posted by geofreesun View Posti have recently acquired a prs singlecut trem, a 10 top 20th anniversary version. basically it's a standard singlecut trem, and it totally changed my guitar playing experience... when i first played it, unplugged, i felt the huge resonance from the body, which never happened with my jacksons/ibanez/carvin... i simply felt my body shaking with that chunk of wood... plugged into my engl 530, just using the built-in 1.5w x 2 power amp, the tone is super thick and punchy, i doubt if i need to upgrade to a real power amp....
well, it made me think... i have owned a jackson sl1, an RR1T, sold both sometime ago, simply because i hear no clear superiority in tone compared to my cheap carvin dc127 (ebony board, split coil for both humbuckers, neck thru, all for 300 dollars)....it's like i can't justify the fact that i have to pay 1 grand for a jackson usa...
what's wrong here? don't get me wrong, i love jacksons, otherwise i wouldn't be here...
PRS's are nice guitars.
If you didn't like the tone of your Jackson's, you could have just changed the pickup configuration? Comparing the playability of a RR1T or SL1 to a Carvin is just redonkulous.
It's like comparing apples to oranges. Unless you have a hand made of steel, then you would not be able to pull off the same speed on a Cravin that you could on a Jackson. I mean maybe,,but unlikely.
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Originally posted by Newc View PostBut your hand position is going to change anyway when you get up that high due to the angle of both the guitar and your arm in relation to the width of your body.
Even with a 2x4 with strings that has no change in shape from nut to butt, the only way your hand is not going to change position is if you mounted it on a rail and moved the guitar closer and farther.
And is it that much of a burden to change your hand position?
Really, I still don't get it. Is it laziness or a lack of skill?
It has to be one or the other, or it's Obsessive Compulsive Disorder: "Wehh I have to change from my current fingering position to reach these notes! Oh NOES! The world is going to end!"
Seriously, someone explain it to me.
If it's easier to play a newer Soloist on the higher frets, why not take advantage of that?
What you're saying is analagous to me saying:
"Are people who use power tools instead of hand tools lazy or just plain unskilled?"
If your goal is to play at the higher frets with less work, a Soloist is a better tool for the job than a Dreadnought.
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Originally posted by geofreesun View Posti have recently acquired a prs singlecut trem, a 10 top 20th anniversary version. basically it's a standard singlecut trem, and it totally changed my guitar playing experience... when i first played it, unplugged, i felt the huge resonance from the body, which never happened with my jacksons/ibanez/carvin... i simply felt my body shaking with that chunk of wood... plugged into my engl 530, just using the built-in 1.5w x 2 power amp, the tone is super thick and punchy, i doubt if i need to upgrade to a real power amp....
well, it made me think... i have owned a jackson sl1, an RR1T, sold both sometime ago, simply because i hear no clear superiority in tone compared to my cheap carvin dc127 (ebony board, split coil for both humbuckers, neck thru, all for 300 dollars)....it's like i can't justify the fact that i have to pay 1 grand for a jackson usa...
what's wrong here? don't get me wrong, i love jacksons, otherwise i wouldn't be here...2009 Les Paul Kit - GFS Dream 90 (N), SD Seth Lover (B)
2009 Gibson Les Paul Worn Brown
2009 Epiphone Studio Deluxe
2008 Epiphone Custom - SD P-Rail(N), Fat Pat (B)
2008 Ovation Celebrity CC48
2007 Agile AL3000 - SD Alinco II set
2005 Epiphone Standard - SD Pearly Gate (N),SD Alinco II (B)
2004 Epiphone Custom Plus Top
2004 Gibson SG Faded - Stock
1997 Epiphone Slash Snakepit
1995 Fender Strat - SD Lil 59' Bridge, SD Hotrail Middle, Stock Neck
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Originally posted by straycat View PostThat about sums it up for me.The only PRS that does it for me is my $200.00 PRS SE standard.I have had a real deal custom 22 and 24 and I didn't see what the hub bub was all about.A bit over priced for a CNC made guitar.JMO
The vibration thing I understand where your coming from.Hell my model 2 mutt has that quality about it after 30 min you have to put it down it vibrates hard enough to make you sore.
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I initially was drawn to Jacksons because I loved the look of them, and back in the day all my guitar heroes were playing them (Dave & Marty from Megadeth, Max and Andreas from Sepultura, etc....etc.....) but once I finally got my hands on one it was the playability that hooked me, I felt like I could play anything on them and they made me want to push my boundaries as a player...and 7 RR's later I still feel the same....don't play the guitar that's "cool", or the one that anyone else says you should play, find the guitar that inspires you and stick with it................I'm not into hell.........I just dig the soundtrack.........
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