And what does it do? I have always heard about the preamp tube that is in the phase inverter spot, but as usual have no clue what that means
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What is a phase inverter?
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In it's purest form a phase inverter takes a sine wave and 'flips' it. So if you have a 2 volt peak to peak signal that is going...
0, .25, .5, .75, 1, .75, .5, .25, 0, -.25, -.5, -.75, -1, -.75, -.5, -.25, 0
The phase inverter will output...
0, -.25, -.5, -.75, -1, -.75, -.5, -.25, 0, .25, .5, .75, 1, .75, .5, .25, 0GTWGITS! - RacerX
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In a tube amp running Class AB, you need to feed one side of the power amp an in phase signal, and the other side of the power amp an out of phase signal. The phase inverter tube has the job of splittling and amplifying the signal(s) before feeding them into a power amp.
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Originally posted by Riffmeister View PostGood lord! That is a mess to me
Let me rephrase the ?, what difference does it make if I put a lower gain tube in the phase inverter slot, or why would I want to do it?
Every amp is different, and each reacts differently.
The only way to tell if it's good or bad is to use your ears.Last edited by DonP; 02-19-2010, 08:24 PM.
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Originally posted by Riffmeister View PostAnd what does it do? I have always heard about the preamp tube that is in the phase inverter spot, but as usual have no clue what that means
Back in the old days, they's use different tube in different slots to get better performance. Fender for example uses a 12AT7 in the reverb driver and phase inverter in the old days. This tube has less gain than a 12AX7, but can handle more power, possible driving a small speaker for about 1 watt.
I'm not sure what you are trying to do, but if you don't know what you're doing it's probably not a good idea to be doing it.
Stick with using the correct tubes.
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The important thing to consider with the phase inverter tube is to have a matched tube in that slot, meaning both triodes in the 12ax7 are "matched" like power tubes would be. However, finding a 12ax7 thats matched would be luck of the draw as its a crap shoot at manufacture how close the 2 triodes will be as theyre not manufactured with that in mind. They can be tested to pick out the ones that are closely matched, Eurotubes supposedly can do this, however, honestly you probly wouldnt notice any great loss or gain in installing a matched phase inverter.HTTP 404 - Signature Not Found
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Originally posted by Riffmeister View PostGood lord! That is a mess to me
Let me rephrase the ?, what difference does it make if I put a lower gain tube in the phase inverter slot, or why would I want to do it?
Here, a stereo signal is almost perfectly matched on both sides.
But, by inverting the phase of one side,
You have frequency cancellation and focusing.
However, if by default the amp puts those two signals opposing one another, then the phase inverter will align both sides, which prevents the frequency cancellation and keeps the signal from being as tightly focused, eliminating any unwanted "scooped-mids" tone that might occur naturally.
A lower wattage inverter will still invert properly, but at a reduced amount, so the opposing signal is not as similar, providing a different tonal characteristic.
At least, that's how I understand it in terms of audio (wav files). Should be the same for electrical circuits, though.I want to depart this world the same way I arrived; screaming and covered in someone else's blood
The most human thing we can do is comfort the afflicted and afflict the comfortable.
My Blog: http://newcenstein.com
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Originally posted by Twitch View PostThe important thing to consider with the phase inverter tube is to have a matched tube in that slot, meaning both triodes in the 12ax7 are "matched" like power tubes would be.
I'd rather have some sloppyness in there to have a better sounding amp. Look at the classic Fender and Marshall amps from the 60s and 70s. Tolerances were 20% on most component back then.
So I say, go by your ears as to what sounds best.
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The only reason I can think of to get a lower gain tube for the phase inverter would be to minimize any distortion before the gain stages.
And am I correct in believing that the tube itself is not doing the inversion, but rather amplifying it after it is inverted to make up any lost signal?Scott
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Originally posted by DonP View PostI'd rather have some sloppyness in there to have a better sounding amp. Look at the classic Fender and Marshall amps from the 60s and 70s. Tolerances were 20% on most component back then.
Originally posted by Spivonious View PostThe only reason I can think of to get a lower gain tube for the phase inverter would be to minimize any distortion before the gain stages.
And am I correct in believing that the tube itself is not doing the inversion, but rather amplifying it after it is inverted to make up any lost signal?
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Well, for starters, your wallet gets one tube lighter, and your amp gets a tube that hasn't been cooked as much as the others.I want to depart this world the same way I arrived; screaming and covered in someone else's blood
The most human thing we can do is comfort the afflicted and afflict the comfortable.
My Blog: http://newcenstein.com
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Originally posted by Spivonious View PostOooh, another question.
Is the phase inverter tube only used in the inversion stage, or do both signals pass through it, since 12A_7 is a dual triode.
In other words...
Normal------>12AX71------>normal----->gain stage
Normal------>12AX72------>inverted--->gain stage
The cicuit used by Fender that Marshall copied is the long-tailed pair. Needless to say, the "pair" means the entire tube (both halves).
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