What "science proven facts" are you talking about? There's a distinction between the accepted principles of physics, acoustics, woodworking, etc. and their potential applicability to the guitar. And, while there's plenty of research in that vein which has been done on the acoustic guitar and other classical instruments, I know of little that relates to electrics. My assumption is that since an electric guitar is specifically designed to produce an easily manipulated sound, doing lots of "R&D" on the electric guitar as we know it would be little more than an academic exercise.
Research is done, just in different areas. Amp makers, software companies, etc. There are even some very small guitar companies doing interesting things. If you want a forward thinking guitar company, (ironically) look at Gibson. But you'll also find that their robot guitars have recieved a mellow reception. As far as companies like Fender and Jackson, you're paying for a legacy product. We all get excited when new models come out but at the end of the day it's the Rhodes and the Soloist that keep on selling, just like they have for the last 25 years. It's been proven that the violins made by the masters in Cremoa sound no better than well made modern instruments, but the difference in value is striking. You're paying for both a physical product and the sentimental value it's perceived to have.
I'm one of the most analytical guys you'll ever meet; I get boners reading journal articles. And I've been thinking for some time about the very point you're struggling to articulate, so don't think me unsympathetic. But I don't think about it anymore, because music (and musical instruments) is an exercise in compromise. Absolute musical perfection does not equate with perfect music, and technical perfection does not equate with a perfect instrument.
Research is done, just in different areas. Amp makers, software companies, etc. There are even some very small guitar companies doing interesting things. If you want a forward thinking guitar company, (ironically) look at Gibson. But you'll also find that their robot guitars have recieved a mellow reception. As far as companies like Fender and Jackson, you're paying for a legacy product. We all get excited when new models come out but at the end of the day it's the Rhodes and the Soloist that keep on selling, just like they have for the last 25 years. It's been proven that the violins made by the masters in Cremoa sound no better than well made modern instruments, but the difference in value is striking. You're paying for both a physical product and the sentimental value it's perceived to have.
I'm one of the most analytical guys you'll ever meet; I get boners reading journal articles. And I've been thinking for some time about the very point you're struggling to articulate, so don't think me unsympathetic. But I don't think about it anymore, because music (and musical instruments) is an exercise in compromise. Absolute musical perfection does not equate with perfect music, and technical perfection does not equate with a perfect instrument.
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