I'm making one of my 6 string guitars a drop A guitar AEADF#B, and was wanting some input as far as string gauge. Should I just use a regular set, toss the high E string and grab a heavier low A string? I generally use Cobalt Slinky 9's on standard tunings. I know this sounds simple but the closest guitar I have is a drop B guitar and the strings on it are a little too heavy for me, Ernie Ball Not Even Slinky 12-56. Thanks in advance.
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Oh wow drop A tuning, string gauge?
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For that tuning i would use a baritone set (13-58) or even a 7-string set without the 1st/E string. I tune my guitars to Eb standard with 11s or C# standard with 13s. For low tunings, you do want the extra tension to help with intonation and note clarity, plus the thicker strings give you more attack and a chunkier sound in my opinion.It's all about the blues-rock chatter.
Originally posted by RD...so now I have this massive empty house with my Harley, Guns, Guitar and nothing else...
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A tuning that low is already chunky, so I try to avoid overly thick strings. For the low A, I would try a 54 or 56 and see how that works. Then I'd take the strings you like for standard tuning and shift things down one string with some tweaks. I'd probably end up with something like this: 11, 14, 20p, 32, 42, 56.
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Originally posted by j2379 View Postdropped A, buy a 6 string bass.I want to go out nice and peaceful in my sleep like my grandfather, not screaming and hollering like the passengers in his car.
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Originally posted by tomanyjacksons View PostAll the metal heads around here and one answer. Wow. Thank you btw.
As soon as I go to B standard or lower, I just use 7 string sets. Since you're going to be playing in Drop A, I'd suggest getting whatever you normally use in E standard, (Cobalt 9's) for the EADGF#B, then for the low B string, (which would be in A) which would be a 56.
TL;DR using my method, use your Slinky 9's for EADF#B and for the low B use a 56.
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i don't know why i like the feel of bigger strings and i think i have more control over feedback and more control as far as picking dynamics. pinch harmonics are a little harder to get, but i think the control is well worth it. I use 10's on 25.5", and 11's on 24.75" tuned to standard, ive got 12's on a strat tuned to either a 1/2 of full step flat and i think its got the perfect feel and tone.
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Are you trying to float a bridge?
If you have a floyd or similar you will need to go to something approaching a 7 string gauge set otherwise you will have to radically alter your spring set behind the bridge.
Your other issue is going to be intonation at that tuning. I presume you are on a 25.5" scale length, but most baritone guitars are at 27" for a reason. You may find you have trouble with intonation at the high register frets (i.e. solos sound like shit).
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I use 9s on my 7-strings, tuned to B standard. I also use 9-42s tuned to C#. I also don't flail the strings. Worked for Iommi, works for me.I want to depart this world the same way I arrived; screaming and covered in someone else's blood
The most human thing we can do is comfort the afflicted and afflict the comfortable.
My Blog: http://newcenstein.com
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