The nut needs to be right up against the edge of the fretboard if there is a small gap it will affect intonation.
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Open chords: Regular vs. Reverse Headstock
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Originally posted by xenophobe View PostYou want a perfectly intonated neck?
This is what it would look like:
This is what I think of Gibson since 1993. I HATE BEING LEFT HANDED! I rock out to Baby metal because Wilkinsi said I can't listen to Rick Astley anymore.
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Originally posted by warlok View PostSully - get a video going on cutting these slots.. STAT!!
Yes, I'm kidding (as that's a patented method), but that's gotta be the only way to do that. I wonder how the frets are made.
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Originally posted by sully View Post(as that's a patented method)
Every one of us decided that the guitar kick ass based off of recordings where somehow the guitar players sounded GREAT with the small tonal limits on a standard guitar.
As far as the OP, check your trem like lots of folks suggestedEnjoying a rum and coke, just didn't have any coke...
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Do you have the same number of trem springs on both guitars? Are they oriented the same? (ie 3 fanned out in a V shape, vs 4 straight across.) That can make a big difference in how susceptible a floyd is to 'flutter'. Some guys try to set them up to warble like crazy. The side effect is when you dig in, it goes flat and then warbles around that center pitch until the string energy starts to die out.GTWGITS! - RacerX
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Originally posted by Hellbat View PostDo you have the same number of trem springs on both guitars? Are they oriented the same? (ie 3 fanned out in a V shape, vs 4 straight across.) That can make a big difference in how susceptible a floyd is to 'flutter'. Some guys try to set them up to warble like crazy. The side effect is when you dig in, it goes flat and then warbles around that center pitch until the string energy starts to die out.This is what I think of Gibson since 1993. I HATE BEING LEFT HANDED! I rock out to Baby metal because Wilkinsi said I can't listen to Rick Astley anymore.
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With a floating trem that hasn't got tight springs on it, it WILL detune slightly for a second if you hit an open string hard, like a warble effect, it will do on other lower fretted notes too but it's less prominent. It's just a Floyd thing, perhaps your other guitar has a different spring arrangement, more springs or springs with more tensile resistance. Also with jumbo frets, when you fret a note low on the first on the few frets hard it will intone sharp. It's all about being as sensitive to the grey areas of the guitar and being sensitive to it, just like bending strings is. Even if you had a TOM bridge or hardtail, it will detune slightly of you hit it hard enough. Are the spring angles and block lengths the same? Replace the springs with newer, more resistant ones or like for like blocks? I can get used to the warble, the thing I find frustrating is fretting sharp notes when playing on the first couple of frets, compared to the open strings.You can't really be jealous of something you can't fathom.
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