Does anyone else find the D-Tuna has a very narrow range of tolerance for proper use? Like, it needs to be set up so precisely, that even the slightest deviation renders it incapable of doing its job.
As seen below, I obviously have the Floyd blocked for dive-only, thanks to the tremolo stopper seen in the center of this photo, and the tremolo claw cranked at maximum to pull the sustain block against the tremolo stopper.
As far as I understand, the fine tuner for the low E needs to be "up" all the way so that the D-Tuna device can accurately do its job in both "E mode" and "Drop D mode". This renders the fine tuner basically useless for micro-tuning if you want to retain the Drop D capability because you need to leave the fine tuner alone in the "fully up" position.
You basically need to compromise. You either:
1) Sacrifice the ability to micro-tune if you want to accurately jump from E to Drop D;
or
2) If you're like me and prefer retaining the ability to use the fine tuner for its intended purpose, which is on-demand micro-tuning without needing to unlock the locking nut and manipulate the tuning machines at the headstock, then the D-Tuna becomes inaccurate when switching to Drop D because the fine tuner will no longer be in the "fully up" position.
Am I frustrated with the premise of the D-Tuna for the wrong reasons? I consider myself a "Floyd guy" and understand everything about a Floyd is an exercise in compromises, but those compromises are far more lenient than the D-Tuna which seems to demand "the fine tuner must be up all the way OR ELSE I refuse to be accurate for you when going to Drop D!"
As seen below, I obviously have the Floyd blocked for dive-only, thanks to the tremolo stopper seen in the center of this photo, and the tremolo claw cranked at maximum to pull the sustain block against the tremolo stopper.
As far as I understand, the fine tuner for the low E needs to be "up" all the way so that the D-Tuna device can accurately do its job in both "E mode" and "Drop D mode". This renders the fine tuner basically useless for micro-tuning if you want to retain the Drop D capability because you need to leave the fine tuner alone in the "fully up" position.
You basically need to compromise. You either:
1) Sacrifice the ability to micro-tune if you want to accurately jump from E to Drop D;
or
2) If you're like me and prefer retaining the ability to use the fine tuner for its intended purpose, which is on-demand micro-tuning without needing to unlock the locking nut and manipulate the tuning machines at the headstock, then the D-Tuna becomes inaccurate when switching to Drop D because the fine tuner will no longer be in the "fully up" position.
Am I frustrated with the premise of the D-Tuna for the wrong reasons? I consider myself a "Floyd guy" and understand everything about a Floyd is an exercise in compromises, but those compromises are far more lenient than the D-Tuna which seems to demand "the fine tuner must be up all the way OR ELSE I refuse to be accurate for you when going to Drop D!"
Comment