Re: Why are 3 piece necks superior?
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yeah i suspected gibson lp necks were one-piece because they all snap at the headstock (: (:
wasn't sure because all the lp's i've played on had solid-painted necks.
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The vast majority are one piece mahogony, except for the early 70's which were 3 piece mahogony and the mid 70's to early 80's which were 3 piece maple.
The reason necks snap at the headstock has less to do with the wood, and more to do with the grain at the point the angle changes. A non-tilt mahagony neck would have the same structural integrity as a maple neck. When you cut the wood to tilt back the head, you are cutting through the grain, leaving "open grain" at a major stress point. This is why Jacksons use scarf joints - no open grain.
[ QUOTE ]
yeah i suspected gibson lp necks were one-piece because they all snap at the headstock (: (:
wasn't sure because all the lp's i've played on had solid-painted necks.
[/ QUOTE ]
The vast majority are one piece mahogony, except for the early 70's which were 3 piece mahogony and the mid 70's to early 80's which were 3 piece maple.
The reason necks snap at the headstock has less to do with the wood, and more to do with the grain at the point the angle changes. A non-tilt mahagony neck would have the same structural integrity as a maple neck. When you cut the wood to tilt back the head, you are cutting through the grain, leaving "open grain" at a major stress point. This is why Jacksons use scarf joints - no open grain.
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