Here's the dealio...
I just received a GMP Pawnshop. Great guitar, played her for about an hour last night. In that brief time, I could already tell that this guitar was superior to my other non-trem axe (KE2T) for maintaining tuning stability. The Pawnshop hardly moved, even with persistent and big bends.
This got me wondering what design factors were the biggest contributors to tuning stability. (For non-trem guitars, I mean. This isn't a Floyd vs. non-Floyd discussion.) So here's the different specs....
Pawnshop
- Tone Pros locking TOM-style bridge
- Stop Tailpiece
- Graphite (...I think?) nut, with straight-cut string slots
- 3+3 headstock design, with nearly straight string pull. (i.e., Angle of string from the nut to the tuner)
- Tilt-back angled headstock
- Sperzel locking tuners
Kelly
- Non-locking Gotoh TOM-style bridge
- Strings-through-body design (no tailpiece)
- Bone nut, with angled-cut string slots (i.e., the slots are cut at an angle, pointing toward the respective headstock tuner.)
- 6 in-line pointy headstock, with sharply angled string pull
- Tilt-back angled headstock
- Gotoh non-locking tuners
What design factors do you think are the biggest contributors to tuning stability? Which ones are not so much? (...Did I forget any other factors?) [img]/images/graemlins/cool.gif[/img]
Also, although this is a cool issue to think about and debate, this may not end up being just a theoretical question. I've given serious thought to doing a TOM-style custom Kelly order. So the feedback might make it into a real design. TBD, though. [img]/images/graemlins/wink.gif[/img]
I just received a GMP Pawnshop. Great guitar, played her for about an hour last night. In that brief time, I could already tell that this guitar was superior to my other non-trem axe (KE2T) for maintaining tuning stability. The Pawnshop hardly moved, even with persistent and big bends.
This got me wondering what design factors were the biggest contributors to tuning stability. (For non-trem guitars, I mean. This isn't a Floyd vs. non-Floyd discussion.) So here's the different specs....
Pawnshop
- Tone Pros locking TOM-style bridge
- Stop Tailpiece
- Graphite (...I think?) nut, with straight-cut string slots
- 3+3 headstock design, with nearly straight string pull. (i.e., Angle of string from the nut to the tuner)
- Tilt-back angled headstock
- Sperzel locking tuners
Kelly
- Non-locking Gotoh TOM-style bridge
- Strings-through-body design (no tailpiece)
- Bone nut, with angled-cut string slots (i.e., the slots are cut at an angle, pointing toward the respective headstock tuner.)
- 6 in-line pointy headstock, with sharply angled string pull
- Tilt-back angled headstock
- Gotoh non-locking tuners
What design factors do you think are the biggest contributors to tuning stability? Which ones are not so much? (...Did I forget any other factors?) [img]/images/graemlins/cool.gif[/img]
Also, although this is a cool issue to think about and debate, this may not end up being just a theoretical question. I've given serious thought to doing a TOM-style custom Kelly order. So the feedback might make it into a real design. TBD, though. [img]/images/graemlins/wink.gif[/img]
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