I grew up, a child of the 60's...I remember when "Slinkys" first came out (way before "super slinkys")...Before that, everyone was trying to put together lighter and lighter gauged strings. In those days a med. gauge of gibson electric strings was 12 - 62 (I know this because I still have a set that I never opened and never used from back then)!
When I was a kid, I had 8's and 9's, usually from Fender or Ernie Ball....on everything for every reason. Years later, when I was managing Survivor, Jimmy Petrick (founder/leader/principal writer of the group & fellow guitar collector), after playing a Moserite of mine with 9's on it, told me to "...at least put 11's on it, and I will get a much richer tone". Needless to say, I did and was converted. Jimmy used to tease me that all the "midwest" guitarists used "logs" for strings, and all the westcoast guitarists used "rubber bands" and thats why you could always hear the difference on record or live between the two ! I don't know if he was "right", but you can definitly hear the difference immediately ! Now I use 12 - 54's on most of my "working axes" (all tuned down to "D" - I like the deeper tones) - but I also have a couple of guitars with 11's, 10's and yes, even one with 9's on it (mostly so my 14 year old daughter can play it easier) - all tuned to concert pitch - usually for taking to "jams".
I was wondering what other members of this site use....and their reasonings behind such decisions?
When I was a kid, I had 8's and 9's, usually from Fender or Ernie Ball....on everything for every reason. Years later, when I was managing Survivor, Jimmy Petrick (founder/leader/principal writer of the group & fellow guitar collector), after playing a Moserite of mine with 9's on it, told me to "...at least put 11's on it, and I will get a much richer tone". Needless to say, I did and was converted. Jimmy used to tease me that all the "midwest" guitarists used "logs" for strings, and all the westcoast guitarists used "rubber bands" and thats why you could always hear the difference on record or live between the two ! I don't know if he was "right", but you can definitly hear the difference immediately ! Now I use 12 - 54's on most of my "working axes" (all tuned down to "D" - I like the deeper tones) - but I also have a couple of guitars with 11's, 10's and yes, even one with 9's on it (mostly so my 14 year old daughter can play it easier) - all tuned to concert pitch - usually for taking to "jams".
I was wondering what other members of this site use....and their reasonings behind such decisions?
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