If this is your first visit, be sure to
check out the FAQ by clicking the
link above. You may have to register
before you can post: click the register link above to proceed. To start viewing messages,
select the forum that you want to visit from the selection below.
It seems there are plenty of fans of all the older Jackson pups, except maybe for the J200 stacked humbuckers. The newer ones (from mid-90's and later) were just junk, and are barely worth to mention.
I personally have the J200, J50B, J50BC and J80C.
The J200 (Charvel Model 6, mid and neck) is a stacked (singlecoil sized) humbucker. It is epoxy-potted and non-splittable. It was pretty dull. I stopped using them right away, and I have yet to give them another shot. Maybe with a 1M pot or something, if that would reduce treble bleed and improve output.
The J50BC (Charvel Model 6, bridge) has Four conductors - black (hot), green (ground), red and white (coil split). The USA-made ones should be wax-potted and have Jackson-stamped backplate, with a sticker indicating the model. It sounded really nice, but had too low output for my liking. If I had been into mellower music, I may have kept it.
The J80C (Charvel 750XL, bridge); Four conductors (like above). Again, USA-made: Stamped plate, wax coat and sticker with model number. It was almost hot enough (although not quite there), and I thougt its tone was a little "unrefined" - so I replaced it with a Duncan SH-6 (Distortion). The Duncan has more output, and less obtriusive treble - the highs are there, but sound more focused. The J80C sounds a little "rawer" with its slightly lower output and broad high-end.
I don't remember much of the J50B (750XL, neck), since I didn't use it much and replaced it rather quickly - but listening to my reference samples now, I'm actually considering putting it back in. It would then replace a Duncan SH-10N (Full Shred Neck), which sounds a tad too bright and sterile for me. It is four conductor, with the sticker, wax, and plate like the others.
As far as I know, the korean made ones lacked the stamped baseplates, and the stickers indicating the model name, but I may be wrong. I've had a few Jackson pups from late 90's Jacksons, and they were AWEFUL! They had half-decent output, but no wax-potting, no model-name sticker, only dual conductor, and they were extremely muddy in the low end.
Yeah I know the mid 90's pickups arent too good.
The bridge pickup in my 650xl is pretty nice though. Although I guess the mid boost will be helping it on its way...
J-50N and J-50B rock!! especialy with the JE 1200 mid boost circuit.they are very PAF like in tone a truly outstanding pickup.
J-92, JH-2, J-200R, J-85 are very good 90s pickups.
I have the J200-J200-J50B in a Fusion Professional. The singles need an active preamp to clean up the mud. The Fusion comes with the JE 1500 active "Wah", and with it on, I can get a great hum-free bell-like single coil tone out of the J200. I think in the electronics manual it even says that these need to be used with a preamp.
The J50B I like a lot for smoother distortions with lots of overtones. Definitely PAF in tone (you can tell just by the specs).
In the 750XL I just picked up, I put in the Duncan Mayhem set ("Seymorizer" neck and DD bridge) and it is just powerful with a punch. I really like it. I think the last thing to do would be to add push/pull pots to run the pickups parallel/series or maybe single coils (depends on which sounds best). The Seymourizer neck doesn't sound too bad either - at least I have no complaints. This axe is quickly moving up the charts as being one of my favorites.
Good points Don. I've heard that about the J200s as well. However, I didn't find them very exciting, even with the JE1200 in my Model 6 - and I've since given away the preamp to another JCFer. I thought that maybe they would come alive with a higher value pot, but I have yet to try that.
Btw, I was also considering getting an SH-6 Distortion Neck for my 750XL, since I like the bridge version so much. But I thought I'd give the J50B another shot first.
Let me know how it turns out. I really like the way this guitar turned out with these pickups. I have other pickups, but this is like an "it works, don't F with it" kind of thing.
It's got the same punchy-ness as my R0 LP Historic (my current #1). I really like it a lot.
Comment