Ok so I've had my chance to check out the Cool Rails and Vintage rails in my zebra Kramer project and the verdict is the Cool Rails is my favorite of the two. It's warm and bluesy. Very very nice tone. The Vintage Rails is nice too, but brighter and lacks body IMO. Cool Rails for me all the way!
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Best humbucker in single-coil shape?
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Originally posted by CharvelRocker View PostFair warning about hot rails: the hum is ungodly. If you buy one, buy a noise gate with it. Also (and maybe it was just the one I played) I played an 80's Kramer with a Hot Rail pup that someone had put in, and when I divebombed on the trem it made a horrible, loud, "*POP** sound (like what you get when you have you're pickups up setting up high, but ten times worse.) So keep in mind that if you think the strings may touch it during tremolo antics, either set it really low or get a Cool Rails insted
Gil
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Originally posted by adoxtater View PostOk so I've had my chance to check out the Cool Rails and Vintage rails in my zebra Kramer project and the verdict is the Cool Rails is my favorite of the two. It's warm and bluesy. Very very nice tone. The Vintage Rails is nice too, but brighter and lacks body IMO. Cool Rails for me all the way!
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Originally posted by Chad View PostDo the Cool & Vintage rails sound like a HB or more like a humless SC?- Adam
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HS-3 is low output, I have a Virtual Solo Pro as well, little hotter.Charvel 7308 (TMZ 008), Charvel Pro-mod (yellow), Jackson Soloist Custom (Yellow), Jackson SL2H-V Natural, Gibson LPS DB, Gibson LPS EB, Gibson LPCC C, Charvel Model 2 (scalloped), Jackson DK2M (white), Charvel Journeyman, Fender Classic Player 60's strat, Carvin C66, Musikraft strat mutt, Warmoth Strat mutt, Fender MIM Jazz bass, Epiphone Classical, Takamine parlor. Marshall 2203, Marshall JVM 210H, Splawn Nitro, Fender Supersonic 22, Line 6 AX2 212, Marshall 4X12.
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Originally posted by CharvelRocker View PostFair warning about hot rails: the hum is ungodly. If you buy one, buy a noise gate with it. Also (and maybe it was just the one I played) I played an 80's Kramer with a Hot Rail pup that someone had put in, and when I divebombed on the trem it made a horrible, loud, "*POP** sound (like what you get when you have you're pickups up setting up high, but ten times worse.) So keep in mind that if you think the strings may touch it during tremolo antics, either set it really low or get a Cool Rails insted
Pete
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Originally posted by CharvelRocker View PostFair warning about hot rails: the hum is ungodly. If you buy one, buy a noise gate with it. Also (and maybe it was just the one I played) I played an 80's Kramer with a Hot Rail pup that someone had put in, and when I divebombed on the trem it made a horrible, loud, "*POP** sound (like what you get when you have you're pickups up setting up high, but ten times worse.) So keep in mind that if you think the strings may touch it during tremolo antics, either set it really low or get a Cool Rails insted
If you are experiencing a loud hum you probably have the pickup wired in single coil mode or just wired wrong.
The pop you experienced was one of the loose strings (when you divebombed) hitting the rails and sticking to them on the pickup. You need to lower the pickup down so the strings can't hit the pickup during a divebomb.
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Well, I finally decided on a pickup. To recap, my guitar is a 1996 Hamer USA Daytona. For those that don't know, that's basically a vintage Strat style, but with modern improvements.....14.5" fingerboard radius, jumbo frets, staggered Sperzel locking tuners, Lubritrack nut, etc. It has an ash body and maple neck/fingerboard. 3 SD Alnico Pro SC pickups. Wilkinson Vintage tremolo. Sweet guitar! Anyway, what I was looking for:
-bridge pickup
-mid-output, so it will blend well with the stock SC pickups
-versatile pickup that will play well both clean and dirty
I went with a....
Seymour Duncan Li'l Screamin' Demon
Hope it works out okay!
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On a more technical note, I have a 5-way SuperSwitch and will be wiring the guitar as follows:
1: B
2: B+M
3: B+N
4: M+N
5: N
That's basically a standard 5-way wiring job, however, position 3 is different. I almost never use the middle SC pickup alone on Strat-like guitars. But I have a couple bridge HB/neck SC guitars and love the combination of those two pickups together. So this setup will give me that sound.
I don't like the pot closest to the bridge on Strats because it is TOO close and I bump it while playing. So I bought a new pickguard with just the bottom two pot cutouts, which will be used for a master volume and master tone. I will be leaving the stock 250K tone pot in the lowest position. For the other pot cutout, I will be installing a push/pull volume pot, which will be used to split the Screamin' Demon coils when desired. For the volume pot value, I dug through my parts and have a 400K p/p pot, which I think is perfect as 500K is generally used for HBs and 250K for SCs.....this is almost right in the middle. I holpe this all results in a great sounding, extremely versatile guitar!
What value volume pot do most of you generally use for a bridge HB when a guitar also has SCs in the neck and middle?Last edited by Chad; 12-10-2006, 04:42 PM.
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