Thanks guy's... I'm not sure how many hours I have in it so far. I have done work on it along with other pieces at the same time, so, it's hard to say. As far as the inlay goes...It's all good I like single inlays at the 12th...not everybody does.
I have to say though, the idea of working for, or with Ed Roman is not appealing to me at all. I bought one guitar from him a long time ago when he was in NY. It's a mistake I wont make twice.
Like I said in my first post, the design is based on a violin with guitar cutaways... That's what I was shooting for. I have seen several luthiers build solid body pieces with the violin side cutouts...I'm definately not the first. I started with an RGish strat shape, I extended upper horn, and went from there. The Abstract model is based more on a LP double cut. I think my design will balance better.
I have to say though, the idea of working for, or with Ed Roman is not appealing to me at all. I bought one guitar from him a long time ago when he was in NY. It's a mistake I wont make twice.
Like I said in my first post, the design is based on a violin with guitar cutaways... That's what I was shooting for. I have seen several luthiers build solid body pieces with the violin side cutouts...I'm definately not the first. I started with an RGish strat shape, I extended upper horn, and went from there. The Abstract model is based more on a LP double cut. I think my design will balance better.
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