Originally posted by thetroy
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scalloped necks
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Originally posted by toejam View PostRich said do it on the lower frets, not the higher frets like you're talking about.
Both of me get confused, at times...between lack of communication, and lack of understanding.
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Originally posted by jwoods986 View PostGood luck finding an Yngwie model in a store.
I was shocked to see it there, but they recently have put on a push and have more good stuff in there, both new and used. much better selection these days than say just last year. not that the prices are all that great.
it was incredibly hard to play, at least for my first exposure, with those full scallops, you really have to watch your chording and string pressure cause just a little too much and bam you're sharp and it sounds like shit.
quite a beautiful and unique instrument. created by a sick sick mind. that's the impression I was left with.the guitar players look damaged - they've been outcasts all their lives
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Originally posted by thetroy View PostOrdering from a place to try it out is the best idea. I think it's silly to have scallops beyond the 15th or 16th fret. The frets are so close together that your fingers never touch the wood when playing that high without scallops..."Hard work is for people short on talent." -George Carlin
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Originally posted by Sunbane View PostOkay, someone explain to me how a scalloped board changes string tension, because I call BS on that. If you use the same string brand, the same string gauge, the same bridge, and the same tuning, the tension is also going to stay the same.Turn that Sh......... down!
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Quote:
Originally Posted by toejam
Rich said do it on the lower frets, not the higher frets like you're talking about.
The partial scallop jobs I have seen have been in the higher frets. I made the assumption that Rich was referring to the same, maybe just different terms.
Both of me get confused, at times...between lack of communication, and lack of understanding.
He is right I meant higher numbered frets like 15 and up.
I alway think of it as you play DOWN the fretboard. Only guitars that neck dive have the higher numbered frets higher than the lowered numbered ones .
This is what I was thinking of:
My gunslinger
sorry bad picture I took off the auction.Last edited by Rich#6; 10-31-2007, 09:15 AM.
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Originally posted by Sunbane View PostOkay, someone explain to me how a scalloped board changes string tension, because I call BS on that. If you use the same string brand, the same string gauge, the same bridge, and the same tuning, the tension is also going to stay the same.Last edited by Holy Diver; 10-31-2007, 12:20 PM."Hard work is for people short on talent." -George Carlin
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Here ya go. Get the Dremel sander and follow this:
http://www.projectguitar.com/tut/scal1.htmTone is like Art: Your opinion is valid. Listen, learn, have fun, draw your own conclusions.
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Originally posted by Rich#6 View Post
He is right I meant higher numbered frets like 15 and up.
I alway think of it as you play DOWN the fretboard. Only guitars that neck dive have the higher numbered frets higher than the lowered numbered ones .
This is what I was thinking of:
My gunslinger
sorry bad picture I took off the auction.
Even before he posted it! That's called teamwork.
Gotcha covered in the backfield, Rich.
The string pressure on the 20th fret shouldn't be much
different than the 4th fret, where the twelfth is the easiest to push.
So it seems that tension alone is not a reason to scallop. There are
other reasons, such as reach, and that's where the desire for speed and ease of playing is most beneficial.
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Originally posted by Holy Diver View PostThe tension increases as you go up the board. Look at the Ibanez Jem. It has the last four frets scalloped. That is not BS. The Blackmore Fender had the frets gradually scalloped as it went up the board for the increasing tension. Are you going to say that Ritchie and Steve don't know how to make a guitar? The bottom line is that you scallop the higher frets, not the lower ones.
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From my experience, the higher frets are scalloped on, for example, a 24-fret guitar because it's a bit harder to get a good grip on the strings and a clean attack on the note because the frets are closer together. Scalloping helps to alleviate this problem. The Steve Vai Ibanez is a good example.
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