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I've been thinkinig of the Peterson rack-mount version. That or the DTR-2000.
joe...
joe...
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I gotta say I was introduced to electronic tuners late in the game. It took me several years to finally get one, a small palm-sized Sabine which I still have, but have misplaced. Before that, I'd tune to an open string I'd hear in a song like the open A or G in the beginning of One.
I guess, I thought it was a luxury plus it had a stigma to me that is was "cheating"a little bit, cause I wasn't using my own ears.
Well, I've since abandoned that myth when I see that everyone uses them. I'll have to keep a look out for one of these Strobos."Your work is ingenius…it’s quality work….and there are simply too many notes…that’s all, just cut a few, and it’ll be perfect."Comment
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Those Peterson are a expensive unit.. I wonder what the real cost to manufacture.2009 Les Paul Kit - GFS Dream 90 (N), SD Seth Lover (B)
2009 Gibson Les Paul Worn Brown
2009 Epiphone Studio Deluxe
2008 Epiphone Custom - SD P-Rail(N), Fat Pat (B)
2008 Ovation Celebrity CC48
2007 Agile AL3000 - SD Alinco II set
2005 Epiphone Standard - SD Pearly Gate (N),SD Alinco II (B)
2004 Epiphone Custom Plus Top
2004 Gibson SG Faded - Stock
1997 Epiphone Slash Snakepit
1995 Fender Strat - SD Lil 59' Bridge, SD Hotrail Middle, Stock Neck
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I have an el-cheapo Zenon 331. Educate me...
I have worked on guitars for years and use touch harmonics,
compared to fretted tones, and have NEVER found a "perfect"
guitar setup. In other words, there is no such thing as perfect tuning all the way through the range. So it's always some sort of a compromise. The same guitar in different hands will sound different, depending on the player's touch. So why would an excellent strobe tuner be so different, except the reference tones? I have been blessed over the years,to get it pretty close "by ear", then fine tuning by harmonic/fretted comparison, and bell tone differentials.
Hmmm?Comment
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