I sanded the headstock a bit, and put 2 coats on there. The decal is under the original lacquer, so no worries there. Here's the neck buffed out after about 12 coats of lacquer. As you can see, I managed to keep some of the original "relic" look intact on the fingerboard and headstock.
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Am I sticking my neck out on this neck?
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Update! I spent all weekend doing the refret. The maple was soft around the 6 - 10th frets, and some glue was required to keep the ends down. The frets are 6105's, and it came out great. I've been tweaking the setup, and this thing kills. Next step: re-relicing of the fingerboard?
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"Artists should be free to spend their days mastering their craft so that working people can toil away in a more beautiful world."
- Ken M
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Update! The look of the worn board under the pristine laquer was annoying me, so I did some minor re-relicing of the board with a dremel. It looked ok from a distance, but up close it did not look convincing. So, I sanded that whole mess off and re-laquered the sanded areas. It took a lot of time and I had to wait for breaks in the humidity. But, now it's really done, and it came out pretty darn good. It's not a relic anymore, but it does have a slightly aged look still.
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"Artists should be free to spend their days mastering their craft so that working people can toil away in a more beautiful world."
- Ken M
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